Search results for 'thundercheif bass'

This is a DigiTech Jam Man Looper pedal in mint condition. Learn More

Collings D1A Mahogany Adirondack Dreadnought with Deluxe Hardhsell Case. While Collings is certainly not the only company to build the square shoulder Dreadnought, they bring a new tonal clarity to the depth and warmth usually associated with such a large guitar. Although its bass response makes the dreadnought ideal for vocal accompaniment, it is alo a favorite of bluegrass flatpickers who must compete with other, louder instruments such as banjos and fiddles. Learn More

The result of a collaboration between Paul Reed Smith and Paul Jackson, Jr., the JA-15 was originally designed with Jazz musicians in mind. But with several new innovations, it’s no surprise rockers are loving it too. Highlights include a “pattern” neck shape, 57/08 pickups and a 2-piece adjustable bridge Learn More

This is a 2006 Bresnan Guitars GS Grand Symphony model featuring premium Brazilian back and sides with gorgeous Adirondack Spruce soundboard. The Bresnan GS has a slightly larger body than the OM with a wider lower bout and deeper body profile providing a slightly more pronounced bass response with no loss in response Learn More

Trenier Broway 17" Archtop From the builder: Once the design of the 16” guitar was worked out by the Gibson company in the late 1920‘s and expanded on by John D’Angelico shortly thereafter, a tone was achieved. It was a tone that was full, balanced, and powerful. This is a design worth exploring by any contemporary maker of guitars - parallel bracing, narrow f-holes closely spaced, eastern maple and adirondack spruce make for a shouty, robust tone, as fit for 4-to-the-bar comping as for Carl Kress-style chord melody. To my ear, the perfect blend of power and beauty. Learn More

Phoenix Guitar Company Nylon OM -- This guitar is an innovation of the Phoenix Guitar Company, it is built mainly for fingerstyle and jazz. They first introduced this model in 1994, and since that time, it has undergone several generations of improvements, from its body size to its top and back bracing. This guitar has the beautiful tone of a concert classical guitar, and is very balanced, from its mellow bass to its crisp treble. It has a narrower 1-7/8" radiused fingerboard, making it almost effortless to play. Learn More

Fender American Performer Sandblasted Telecaster - Daphne Blue With Gig Bag Features: Sandblasted for a one-of-a-kind finish Vintage-tinged tone with higher output and modern wiring Greasebucket tone control rolls off highs without adding bass Fast-playing Modern “C” maple neck Specs: Number of Strings: 6 Left-/Right-handed: Right-handed Body Type: Solidbody Body Shape: Telecaster Body Material: Ash Body Finish: Gloss Polyurethane Color: Daphne Blue Neck Material: Maple Neck Shape: Modern C Radius: 9.5" Fingerboard Material: Rosewood Fingerboard Inlay: Dots Number of Frets: 22, Jumbo Scale Length: 25.5" Nut Width: 1.65" Nut Material: Synthetic Bone Bridge/Tailpiece: 3-saddle Telecaster String-thru Tuners: Fender Neck Pickup: Yosemite Tele Alnico 5 Single-coil Bridge Pickup: Yosemite Tele Alnico 4 Single-coil Controls: 1 x master volume, 1 x master tone, 3-way blade pickup switch Strings: 9s Case Included: Gig Bag This guitar is in excellent as-new condition Learn More

When Leo Fender launched the G&L SB-1 bass in 1982, he packed his latest innovations in pickup and bridge design into a straightforward, hard-working bass. At that time the SB-1 had an MFD single coil pickup and no pickguard, which was a departure from the classic single-pickup passive bass. By 1985, however, the SB-1 had taken the form it has today, with an MFD split-coil humbucking pickup and pickguard. In some way, the SB-1 set the stage for several G&L models to come: Leo took a a classic design and applied his core improvements, in this case, the MFD pickup and Saddle Lock bridge Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

A truly unique voice, the Baritone 8-String complements the lower tonal range by pairing two octave strings with the third and fourth strings, adding a touch of upper-octave brightness without too much 12-string jangle. The result is a guitar with incredible tonal range, perfect for walking basslines and rich melodies. All Taylor baritones feature a GS body and are tuned to B with a longer 27-inch scale length, which maintains normal string tension. Two wood combinations are available for the 8-String: either Indian rosewood or mahogany, with a Sitka spruce top. Learn More

This is a pre-onwed Huss & Dalton Crossroads 14-fret in excellent condition - Think of the Crossroads guitar as a smaller DS Crossroads. The tonal balance is similar, and its volume doesn't suffer much from being caged in a smaller body. You may find that the Crossroads makes a more convenient traveling companion than its DS Crossroads big brother. The Crossroads comes standard in Sitka/mahogany, with the dark sunburst and unpurfled crème binding present a no-frills look, perfect for the unpretentious player who prefers to let the music attract the attention. The Crossroads is also a shade deeper in the body than the 0, 00, and 000 series, creating a guitar with perhaps a bit bassier presence. Light gauge strings can bring out the best of the lightly braced top, though the Crossroads can handle mediums Learn More