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This is a 2013 Collings 0002H Rosewood Spruce 000 12-Fret with Original Deluxe Hardshell Case. The 12-fret 000 has the same general appearance as the Collings 00, but in a larger size with longer string scale. Although it's the same width and depth as the OM, the longer body typically produces more bass and overall volume. This makes the Collings 000 ideal for string-band purists or any guitarist who wants a maximum amount of power from an instrument of comfortable size with an elegant, old-time appearance. Learn More

This is a 1980 Gurian 3H-S3R. Gurian Guitars was a manufacturer of high quality acoustic guitars based in New York City, then Hinsdale, New Hampshire and finally West Swanzey, New Hampshire, from the 1960s to 1981. The guitars were designed by luthier Michael Gurian who also supervised production. The company was one of the earliest "boutique" guitar brands in the United States, offering an alternative product to those of the larger, factory-based makers of the day, with instruments characterized by a distinctive shape, features and sound. The S3R is a mid-sized instrument with plenty of power, brilliance and sustain. This size is quite versatile, an excellent choice for solo or accompaniment. The Size 3 model has become a favorite for recording work thanks to it's balanced tone. The 3H was a higher grade version of the standard S3R featuring 3-piece back, herringbone inlay on the top, back and sides gold plated Schaller tuners. Specs are as follows: Top Wood: Sitka spruce Back and sides: East Indian Rosewood Binding: Maple Rosette: Herrinbone OAL Length: 41" Body length: 19.5" Upper bout: 12" Waist: 10.5" Lower bout: 15.25" Maximum depth: 4" Scale: 25.7" Nut width: 1 19/32" Saddle Spacing: 2.25" Electronics: K&K Mini Condition is excellent with a few handling marks here and there but no issues to mention. Comes with Cedar Creek case shown. Learn More

Trenier Broway 17" Archtop From the builder: Once the design of the 16” guitar was worked out by the Gibson company in the late 1920‘s and expanded on by John D’Angelico shortly thereafter, a tone was achieved. It was a tone that was full, balanced, and powerful. This is a design worth exploring by any contemporary maker of guitars - parallel bracing, narrow f-holes closely spaced, eastern maple and adirondack spruce make for a shouty, robust tone, as fit for 4-to-the-bar comping as for Carl Kress-style chord melody. To my ear, the perfect blend of power and beauty. Learn More

This is a 2006 Webber Jumbo featuring Sapele back and sides, Spruce top, and LR Baggs Stage Pro Anthem electronics Learn More

The Collings UT3 K is a fully appointed tenor model with premium, solid flamed Koa top, back and sides. With its superb tone and unmatched craftsmanship, the UT3 is sure to please the most discerning eyes and ears Learn More

The popularity of smaller guitars has really taken off in recent years but smaller guitars that can hold their own besides full size guitars are few and far between. The Edwinson Falcon is one of those guitars. With a rich, full tone, and plenty of projection, the Falcon will amaze you. Learn More

Introduced in 1954 as an entry-level version of the Les Paul, the Les Paul Junior graduated from kids bedrooms, to garage bands, to club and arena stages through the course of three decades as it became a favorite of beginners and professional players alike. Learn More

A modern re-creation of the classic Orchestra model, the OM-28E Retro is ideal for the guitarist who enjoys fingerstyle techniques. Developing the new Retro Series electronic foundation, Fishman electronically infused the essence of the museum instruments into the newly created Martin counterparts, a new technology for both companies. To build upon this “vintage-conditioned” sound, Martin Guitar teamed up with Fishman and Grammy Award -winning producer Bill VornDick at his historic Mountainside Studios in Nashville for a multi-step process. They utilized VornDick’s private collection of rare vintage and boutique microphones, many of which date back to the 30’s and are iconic recording industry microphones. This collection adds unique coloring to the plugged-in sound, reminiscent of the first microphones these museum guitars would have ever encountered in the professional recording studio. Learn More

Designed in conjunction with finger style legend Ed Gerhard, this guitar is constructed with rosewood back and sides and a Sitka Spruce top. The jumbo-size body features a proportionally large lower bout, a narrow waist, and a relatively shallow depth of 3 inches at the neck and 4 1/16" at the heal. Like most Breedlove's, the Gerhard comes equipped with the JLD Bridge System which is mounted under the ebony bridge Learn More

This is one of the original 500 Brazilian Rosewood Martin 000-28ECB Eric Clapton Signature models built in 2002. This one is #90 of 500 made, and it features exceptional Brazilian Rosewood back and sides. Full specs are as follows: Martin 000-28ECB Eic Clapton Limited Brazilian Construction: Mahogany Blocks/Dovetail Neck Joint Body Size: 000-14 Fret Top: Solid Sitka Spruce Rosette: Fine Herringbone Top Bracing Pattern: Standard "X" Scalloped Top Braces: Solid Sitka Spruce 5/16" Back Material: Solid Brazilian Rosewood Back Purfling: HD Zig-Zag Side Material: Solid Brazilian Rosewood Endpiece: Grained Ivoroid Endpiece Inlay: Black/White Boltaron Binding: Grained Ivoroid Top Inlay Style: Fine Herringbone Side Inlay: None Back Inlay: Black/White Boltaron Neck Material: Select Hardwood Neck Shape: Modified V Nut Material: Bone Headstock: Solid/Diamond?SquareTaper Headplate: Solid Brazilian Rosewood/Large Old Style Heelcap: Grained Ivoroid Fingerboard Material: Solid Black Ebony Scale Length: 24.9" Number of Frets: 20 Fingerboard Width at Nut: 1-3/4" Fingerboard Width at 12th Fret: 2-1/4" Fingerboard Position Inlays: Diamonds & Squares - Long PatternFingerboard Binding: None Finish Back & Sides: Polished Gloss Finish Top: Polished Gloss w/ Vintage Toner Finish Neck: Polished Gloss Bridge Material: Solid Black Ebony Bridge Style: Belly Bridge String Spacing: 2-1/4" Saddle: 16" Radius/Compensated/Bone Tuning Machines: Gotoh Nickel Open-Geared w/ Butterbean Knobs Recommended Strings: Martin Light Phosphor Bronze (MEC12) Bridge & End Pins: White w/Black Dots Pickguard: Tortoise Color - Beveled & Polished Case: Original Martin Case Interior Label: CFM IV & Eric Clapton Pre-Printed Signatures Learn More

The MINSTREL, like the Tupelo, gives a warm and woody Old-Timey sound. With a scrolled peg head and Mother-of-Pearl shell inlay in the Frailing scoop, this model is fashioned after the American Antebellum banjos. The 2-ply solid Maple rim is 9/16” thick and is capped with black Ebonite and bound with simulated Tortoise shell. A varnish finish is hand-rubbed generously and then sealed. The OME 12” maple Tone Rim construction combined with less brackets and wood rim-rod produce our “woodiest” Old-Time banjo tone. The MINSTREL is made with the same care and precision as other OME instruments and comes with a deluxe hard-shell case. Learn More