Search results for 'Martin Guitar Standard Series'

This is a rare, one of a kind, custom archtop from Doc Pittillo's guitar shop. The sound can go from Les Paul to Telecaster with a flip of a few switches making this one of the most versatile electrics out there. Learn More

This is a 2011 PRS Custom 24 with gorgeous quilted top and hardshell case. Learn More

The Laney LA30D is a compact acoustic combo amplifier that is packed for performance and designed specifically for acoustic instruments such as acoustic-electric guitars. LA30D’s two independent input channels both offer the choice of balanced XLR or unbalanced 1/4” inputs and both can have digital reverb assigned to them as required. This flexibility allows for connection of a mic and instrument, two different acoustic instruments, or even a blend of separate mic and pickup connections from the same instrument. The main instrument channel features a 3-band EQ for customizable tone sculpting plus a Shape switch – this provides a great sounding “go to” setting from a single button press. A pre-selected chorus setting can also be added with a simple switch. This snappy, stylish, and lightweight amp is a hard worker that fits wonderfully in a variety of places, including performance venues, the practice room, home recording space, or teacher’s studio. There is also a 3.5mm AUX input that allows for connection of a playback device such as an MP3 player/CD player/phone/tablet for jamming along to songs or backing tracks. The Laney LA30D also includes a 3.5mm headphone port – a great feature for private practice or silent late-night jam sessions. Switchable Phase and Anti-feedback switches, plus a 1/4" DI output round out the connection options on this versatile acoustic amp. The LA30D is sure to deliver full, natural acoustic sound-reproduction with plenty of high-end sparkle. Laney Learn More

The Custom DCPA4 Rosewood adds tonal color and variety. The model features a 14-fret cutaway with fast and comfortable Performing Artist profile necks, and Fishman’s F1 Analog onboard electronics. Perfect for all performing artists Learn More

This is a 1992 Gibson Starburst in the rare green burst finish finish Learn More

This is a Custom Shop Taylor 516e Grand Symphony (GS) featuring amazing Figured Mahogany back and sides, Bearclaw Sitka Spruce top, ES2 Electronics, Ebony Armrest, and Performance Series Bracing Learn More

From its inaugural appearance in 1937, Gibson's J-200 set a standard others have been trying to match ever since. Today-nearly 71 years later-the legacy of Gibson's "King of the Flat-tops" lives on in the Gibson J-200 Standard acoustic-electric guitar. This is a vintge 2004 model.

Full Specs are as follows:

Body type: Super Jumbo
Top wood: Sitka Spruce
Back & sides: Flame Maple
Bracing pattern: Scalloped
Body finish: Nitrocellulose lacquer
Nut width: 1 - 3/4"
Fingerboard: Rosewood
Neck wood: Maple
Scale length: 25.3
Number of frets: 20
Neck finish: Nitrocellulose lacquer
Electronics: Fishman Matrix
Headstock overlay: Ebony
Tuning machines: Gold
Bridge: Rosewood
Case: Original Hardshell case
Country of origin: United States

This guitar has no structural issues, but it does show small dings on the body, neck, and on the headstock. Neck angle is perfect, frets are good, and electronics work as they should. The case is alo in good condition, but the tolex has some wear around the edges. It is perfect inside.

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1996 Collings 0001 - The 12-fret 000 has the same general appearance as the Collings 00, but in a larger size with longer string scale. Although it's the same width and depth as the OM, the longer body typically produces more bass and overall volume. This makes the Collings 000 ideal for string-band purists or any guitarist who wants a maximum of power from an instrument of comfortable size with an elegant, old-time appearance. Learn More

This is a 2010 PRS Ted McCarty wood library edition SC245 in Solana Burst Learn More

This is an SCGC RS model which is Richard Hoovers interpretation of a vintage Gibson jumbo. For these slope shoulder jumbos SCGC uses perfectly quarter sawn, narrow, stiff, spruce brace stock, and then they double taper it. The first taper extends out beyond the bridge plate and then the second taper drops to the linings. This heavily knifed bracing style is something unique to Santa Cruz developed exclusively to create the woody, dry, explosive tone that the old Gibsons were prized for. It creates a light low mass brace, while not losing the snap and explosiveness that can be the result of a scalloped bracing design. Learn More

This is an Emerald X5 Woody carbon fiber travel guitar with B Band electronics and original Emerald gig bag Learn More