Search results for 'Martin Guitar Marquis Collection'

Taylor’s sleek, easy-playing necks make for an incredibly smooth 12-string experience. The 556ce features mahogany back and sides with a top of Lutz spruce, a natural hybrid of Sitka and White spruce that resembles Adirondack spruce in its robust tonal output. The wood combo, together with the Grand Symphony body and Taylor’s internal Performance bracing, will yield a wonderfully balanced 12-string voice that blends tonal power, depth and articulation into a dynamic package that’s equally responsive to a light or lively strumming attack. A Venetian cutaway offers easy access to the guitar’s upper register octave shimmer, while Taylor’s proprietary Expression System® 2 electronics parlay all that musical detail into a well-defined amplified 12-string sound. Appointments include faux tortoise shell binding and pickguard, a rosette of faux tortoise shell framed by grained ivoroid, and a grained ivoroid Century fretboard inlay. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

Made from 2002 to 2004, the Martin CEO-5 was a special edition D-12 style dreadnought with bearclaw Sitka spruce top. Both bridge and fingerboard were striped ebony. Martin CEO C.F. Martin IV asked the Acoustic Guitar Magazine Discussion Group for their design ideas and the resulting guitar was named as the CEO's choice. The interior paper label was signed by C.F. Martin IV. The peghead was slotted and faced with East Indian rosewood with a small raised gold foil logo. Learn More

Pre Owned Adamas 1597 by Ovation 6-String Acoustic Electric Cutaway With Case Learn More

Working musicians are bound to love the upgrades to Taylor's popular Ovangkol/Spruce 400 Series, which has become a go-to option for gigging players. Premium enhancements include a full-gloss body, Gold Tuners, and ES2 Electronics. Learn More

Juan Hernandez Profesor - Juan Hernandez Iranzo was born in Spain in the late 1940's, he began building guitars in the Francisco Esteve workshop at age 15, whhere he became an "oficial guitarmaker" and later the production manager of the Esteve workshop. Today he is offering a limited number of fine guitars under his own label featuring the highest quality materials, and workmanship. Learn More

This is a 2004 McAlister Concert featuring old growth Sitka Spruce top and Brazilian back and sides.

From McAlister Guitars:

"The McAlister Concert model takes its inspiration from the...

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This is a custom Tele built by master luthier Allan Tomkins out of Australia. Learn More

The Ramirez 2CWE is an acoustic electric crossover style guitar equally suited for Classical, Jazz, Pop and contemporary Fingerstyle arrangements, with plenty of projection to guarantee you wont get lost in the mix. Learn More

Designed with Chris Martin, the CEO-7 is a "00" slope shouldered short scale reminiscent of models from the "Golden Era", with a gorgeous Autumn Sunset Burst finish,Golden Age Relic Nickel 2517 tuners with cream plastic buttons, and authentic headplate lettering. Providing you with a nice booming sound is a solid Adirondack spruce top and solid ebony fretboard complimented by solid mahogany back and sides for complex tonality. Other accoutrements include a striaghtline bridge with drop-in saddle, bone nut, dovetail neck joint, X-scalloped bracing, a modified V neck, and Old Style 18 positioning inlays, grained Ivoroid heelcap, and a Delmar tortoise color pickguard. Comes with Geib style case. Learn More

Fender American Performer Sandblasted Telecaster - Daphne Blue With Gig Bag Features: Sandblasted for a one-of-a-kind finish Vintage-tinged tone with higher output and modern wiring Greasebucket tone control rolls off highs without adding bass Fast-playing Modern “C” maple neck Specs: Number of Strings: 6 Left-/Right-handed: Right-handed Body Type: Solidbody Body Shape: Telecaster Body Material: Ash Body Finish: Gloss Polyurethane Color: Daphne Blue Neck Material: Maple Neck Shape: Modern C Radius: 9.5" Fingerboard Material: Rosewood Fingerboard Inlay: Dots Number of Frets: 22, Jumbo Scale Length: 25.5" Nut Width: 1.65" Nut Material: Synthetic Bone Bridge/Tailpiece: 3-saddle Telecaster String-thru Tuners: Fender Neck Pickup: Yosemite Tele Alnico 5 Single-coil Bridge Pickup: Yosemite Tele Alnico 4 Single-coil Controls: 1 x master volume, 1 x master tone, 3-way blade pickup switch Strings: 9s Case Included: Gig Bag This guitar is in excellent as-new condition Learn More

This is a JET Model Earlewood #011 built in 1996 Learn More