Search results for 'Martin Guitar Backpacker'

The SteelDeville is a classic single cutaway design with a Hollow steel body and a wood neck that is both beautiful to look at and to play. The 24.5" scale length and vintage components make this instrument feel like home the minute you lay your hands on it. Learn More

2015 Waterloo WL-14 LTR with ladder bracing option providing a woody and open tone, with midrange honk that's perfect for fingerstyle blues. Learn More

Californian guitar maker Lester DeVoe is regarded as one of the best flamenco guitar luthiers in the world. In fact, his guitars have been praised and played by Paco de Lucia, Vicente Amigo, Sabicas and others. The guitars feature deep, clear sound, excellent response and low action. Learn More

This is a rare, one of a kind, custom archtop from Doc Pittillo's guitar shop. The sound can go from Les Paul to Telecaster with a flip of a few switches making this one of the most versatile electrics out there. Learn More

This is gorgeous 1964 Guild T-100 Archtop with Florentine cutaway. Learn More

This is a 2005 Taylor T5C2 Custom featuring gorgeous figured Koa Top, intricate abalone fretboard inlays, gold hardware, full body binding, bone nut and saddle, bound f-holes, mahogany neck, and an ebony fretboard and bridge. The T5 is a resonant, fully hollow thinline guitar providing musicians the freedom of a solid-body and the feel and sound of your beloved Taylor acoustic. Whether played through an electric or acoustic amp, it delivers a fantastic range of pure tones from smooth, strumming acoustic to crunchy electric chords. Learn More

The Custom DCPA4 Rosewood adds tonal color and variety. The model features a 14-fret cutaway with fast and comfortable Performing Artist profile necks, and Fishman’s F1 Analog onboard electronics. Perfect for all performing artists Learn More

This is a vintage 2000 Gibson J45 in gloss Ebony that has seen to gigging and show some minor dings and scrapes the worst one being one that gos through the finish in the soundboard. Learn More

This is a 2005 Taylor 614ce featuring amazing figured Maple back and ides with tight grain Spruce top and upgraded at the factory to the latest 9 volt ES electronics Learn More

This is a 2005 Taylor T5C2 Custom featuring gorgeous figured Koa Top, intricate abalone fretboard inlays, gold hardware, full body binding, bone nut and saddle, bound f-holes, mahogany neck, and an ebony fretboard and bridge. The T5 is a resonant, fully hollow thinline guitar providing musicians the freedom of a solid-body and the feel and sound of your beloved Taylor acoustic. Whether played through an electric or acoustic amp, it delivers a fantastic range of pure tones from smooth, strumming acoustic to crunchy electric chords. Learn More

The Gibson Custom Shop has re-created the guitar that Peter Frampton played on his multiplatinum live album from 1976. Distinctive features include a mahogany back with weight-relief chambers, the Peter Frampton custom slim neck profile, and three Gibson humbuckers: '57 Classic (neck), '57 Classic Plus (middle), and 500T (bridge). The 3-way pickup selector is wired so the middle pickup is always on (with its own volume and tone) and can be combined with the front or rear pickups. Top-level Les Paul Custom features include the ebony finish, 22-fret Richlite fingerboard with pearl block inlays, single-ply white binding on top and back, kidney bean tuners,and gold hardware. Includes case. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More