Search results for 'Martin Guitar 16 Series'

This is a 2001 Gibson ESDT-335 featuring a beautiful trans dark cherry finish and figured single-ply bound Maple body for a cool vintage look. Also features Rosewood fretboard, NGold Hardware, Grover Tuners, and 57 Classic humbucking pickup. Learn More

This is a one owner 1939 Kalamazoo KG-14 in amazing condition. This guitar has a full setup restoration March of 2018 at Asher Guitars here in LA including a neck reset so it now plays as good as it looks and sounds. Comes with original case and the original tuners which have been replaced. The KG-14 was made by Gibson in Kalamazoo, Michigan featuring a 00 size body, sunburst finish, spruce top, mahogany back, sides, and neck, ladder bracing, Brazilian rosewood fingerboard and bridge, and a firestripe pickguard. Learn More

This is a 2000 Ribbecke Monterey Archtop featuring Solid bookmatched handcarved tap tuned Sitka spruce top, handcarved premium Bigleaf flame maple back and sides. 2 piece tiger maple neck, solid ebony fingerboard, pearl and abalone headstock logo, and Ivorid body, headstock, neck and soundhole binding. Learn More

This is a full custom version of Taylors new Grand Orchestra model featuring AA Figured Maple back and sides and Premium Adirondack soundboard with Adirondack braces, Ebony armrest and the latest ES electronics. This guitar has everything you need and nothing you don't Learn More

2012 Taylor 12-Fret acoustic electric guitar with latest ES electronics. As a result of joining the neck to the body at the 12th fret rather than the 14th and moving the bridge farther back on the soundboard, the guitar's tone sounds wonderfully aged right out of the case. The "modern vintage" voice blends warmth and depth on the low end with crisp, snappy treble and surprising overall volume Learn More

From its inaugural appearance in 1937, Gibson's J-200 set a standard others have been trying to match ever since. Today-nearly 71 years later-the legacy of Gibson's "King of the Flat-tops" lives on in the Gibson J-200 Standard acoustic-electric guitar Learn More

Gibson LG2 American Eagle produces a tone that rivals much larger guitars while maintaining exceptional clarity and focus in individual notes. Ideal for folk, blues and finger style, the LG-2 maintains a full-dynamic range in a compact package. Handcrafted solid tone wood and scalloped top bracing provide the warmth and richness that have made spruce and mahogany a classic combination in acoustic flat-top guitars, while the short scale and roomy yet comfortable nut width make for easy playing no matter what the style. Quality Gibson construction, a dovetail neck-to-body joint, and simple appointments remain true to the intent of the original, while subtle changes in playing feel provide the modern player with the best of both worlds. Equipped with a Baggs Element pickup, the LG-2 is ready to accompany you at the coffee shop or in the concert hall. Learn More

This is a 2001 Dobro Model 90 Custom Shop Roundeck with Florentine Cutaway and Floral Inlays on fretboard and headstock Learn More

The Huss and Dalton CM model is perfect whether you are a songwriter needing an inspirational writing tool or a discerning finger stylist, or perhaps a blend of both. Though somewhat smaller than a dreadnought and with deep sides at 4-5/8", it really packs low-end warmth and response. The elegant design includes fretboard bindings of figured maple, an abalone rosette, and an understated 12th-fret scroll fretboard inlay in abalone. The Huss & Dalton CM will give you the full tonal spectrum, as well as the reach to achieve the most complex melody. Standard woods are Engelmann Spruce with Indian Rosewood back and sides Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This amazing guitar was hand built in Taylors tiny Lemon Grove shop back in 1986 by Bob Taylor with help from Larry Breedlove, well before they started using CNC machines for everything. This model was used by artists like Neil Young and Prince who appreciated the ultra-playable neck. Original pre-CNC Taylors are getting harder to find as collectors start to see the value. Grab this one at a very fair price. Learn More

With softer contours and a longer body dimension than the 0 14-Fret model, the 0 12-Fret has a balanced and full tone with slightly more bass and overall volume. First introduced in 1854, the articulate tone and convenient size of the "0" 12-Fret body dimensions have remained popular to this day. Featuring a comfortable short 24 7/8" scale and a wide 2 5/16" string spacing at the bridge, this model is well suited to both finger style and strumming techniques and excels as a recording instrument. Convenient as a travel guitar but with the authoritative tone of a performance instrument, this model is versatile choice for any guitarist. Learn More