Search results for 'Es 335'

This is a pre-owed Webber 000 12-Fret Cutaway with Custom Nara back and sides, and Sitka Spruce soundboard. Learn More

On Taylor's 700 Series 712e 12-Fret Grand Concert Acoustic Electric Guitar, the neck meets the body at the 12th fret rather than the 14th, and the bridge position is closer to the center of the lower bout. The result is a splash of extra tonal depth. The classic pairing of rosewood and spruce yields a full-range acoustic voice, while the smaller body keeps the overtones in check and fits nicely in a mix with other instruments. A short-scale 24-7/8-inch neck adds comfort to the playing experience. A Vintage Sunburst top and neck, ivoroid binding and rosette, and ivoroid Heritage Diamond fretboard inlays evoke an old-soul persona. Stage-friendly Taylor Expression System 2 acoustic electronics translate the acoustic dynamics and tonal detail into exceptional amplified tone. Learn More

This is a 1997 Jeff Traugott Model R with Brazilian Rosewood back and sides and gorgeous Bearclaw German Spruce soundboard. The Model R is Jeff's most popular size, slightly larger than a Martin OM but with a narrow waist and round curves which make it a bit more comfortable to play. Learn More

The elongated body on our OOO 12fret model makes the guitar very comfortable to play. The extra air space inside the guitar contributes to strong reverb and thick powerful overtones. ‍ Specs: Full specs are as follows: Top: Cedar Back & sides: Quilted Mahogany Binding: Maple Length- 20 3/8" Lower Bout- 14 15/16" Upper Bout - 10 1/2" Waist - 8 15/16" Depth at Endwedge - 4 1/16" Nut width: 1 3/4" Scale length: 25" String spacing at saddle: 2 1/4" Pickup: Fishman Matrix Infinity Case: Cedar Creek hard shell case This guitar is in excellent condition with no issues to mention. Learn More

Trenier Broway 17" Archtop From the builder: Once the design of the 16” guitar was worked out by the Gibson company in the late 1920‘s and expanded on by John D’Angelico shortly thereafter, a tone was achieved. It was a tone that was full, balanced, and powerful. This is a design worth exploring by any contemporary maker of guitars - parallel bracing, narrow f-holes closely spaced, eastern maple and adirondack spruce make for a shouty, robust tone, as fit for 4-to-the-bar comping as for Carl Kress-style chord melody. To my ear, the perfect blend of power and beauty. Learn More

This is a 2006 Clarksdale Crossroads 12-Fret 00 hand built by master luthier Mark Taylor of Crafters of Tennessee. Learn More

This is a McPerson MG-4.5 with Redwood top, and Rosewood back and sides. This is a plyers guitar with some dings, pick marks, and capo dents on the neck, but it plays and sounds amazing Learn More

The distinct sound of the Masterclass 12-string can effortlessly quiet a sold-out coliseum and capture the attention of the rowdiest crowds. The evenness of voice allows for show-stopping chord-for-chord and note-for-note clarity. The distinct ring of the strings, whether strummed in unison or separately, is truly awe inspiring. For the collector and aficionado seeking show-stopping chord-for-chord and note-for-note clarity in one of the most unique and noteworthy 12-string guitars available today Learn More

This is a recent Collings OM2H Orchestra Model (OM) Cutaway featuring select Spruce top gorgeous Rosewood back and sides and K&K Mini Electronics Learn More

Taylor Guitars made a limited edition of its popular acoustic GS Mini series with tops of Engelmann spruce harvested at Holden Village, and layered Maple for back and sides. Proceeds from guitar sales went to clean water projects in third-world countries under the direction of two nonprofit organizations. Learn More

This is a 2003 Ted Thompson T2 featuring Rosewood back and sides and Engelmann Spruce soundboard. Learn More