Search results for 'Martin Guitar 17 Series'

Harvey's most elaborate guitar to date, The Cherub.This amazing guitar features private stock Bearclaw spruce top, AAA Brazilian Back and sides, Peruvian Walnut neck with maple stripes. Real crushed pearl binding with abalone trim on all edges and bridge Learn More

With brilliant acoustics and a vast array of tones, the Hollowbody II has been a constant favorite in our dynamic lineup of semi-hollow instruments. The combination of the maple top and back with mahogany sides provides tonal clarity and extraordinary resonance Learn More

Gorgeous Vintage Martin 00-18C Nylon String Classical/Folk guitar in excelent condition with harshell case Learn More

The Martin D18-P Dreadnought features a sleek, modern High Performance Neck for enhanced playability. The D-18P adds a Sitka spruce top to the genuine Mahogany back and sides. The result is pure Martin tone. Learn More

This is a recent Collings OM2H Orchestra Model (OM) featuring select Spruce top gorgeous Rosewood back and sides and K&K Mini Electronics Learn More

The Gibson J-45 acoustic guitar is the prince of a range of Gibson flattops now referred to as "Round-Shoulder Dreadnoughts." This elegant workhorse debuted in 1942, and became an instant favorite for its rich, warm, vocal tone and excellent projection. Today, this Gibson acoustic guitar is played by the likes of Bob Dylan, Ralph McTell, Billy Jo Armstrong, and Lucinda Williams. Carrying accurate touches such as a Slim-Taper neck profile, teardrop tortoise pickguard, 4-ply top binding, and banner headstock inlay (declaring "Only A Gibson Is Good Enough"), the Gibson J-45 True Vintage is an accurate representation of the acoustic guitar that became the standard of hard-gigging bluegrass, folk, and country artists of the 1940s and 1950s Learn More

McNaught Custom Phoenix Rising Learn More

Handcrafted exclusively from solid tone-woods, sitka spruce and rosewood. The scalloped 1930s advanced X-bracing pattern provides a rich and deep tone. The J-29 belts out an incredibility wide dynamic range that is balanced across the tonal spectrum Learn More

This is one of the original 500 Brazilian Rosewood Martin 000-28ECB Eric Clapton Signature models built in 2002. This one is #90 of 500 made, and it features exceptional Brazilian Rosewood back and sides. Full specs are as follows: Martin 000-28ECB Eic Clapton Limited Brazilian Construction: Mahogany Blocks/Dovetail Neck Joint Body Size: 000-14 Fret Top: Solid Sitka Spruce Rosette: Fine Herringbone Top Bracing Pattern: Standard "X" Scalloped Top Braces: Solid Sitka Spruce 5/16" Back Material: Solid Brazilian Rosewood Back Purfling: HD Zig-Zag Side Material: Solid Brazilian Rosewood Endpiece: Grained Ivoroid Endpiece Inlay: Black/White Boltaron Binding: Grained Ivoroid Top Inlay Style: Fine Herringbone Side Inlay: None Back Inlay: Black/White Boltaron Neck Material: Select Hardwood Neck Shape: Modified V Nut Material: Bone Headstock: Solid/Diamond?SquareTaper Headplate: Solid Brazilian Rosewood/Large Old Style Heelcap: Grained Ivoroid Fingerboard Material: Solid Black Ebony Scale Length: 24.9" Number of Frets: 20 Fingerboard Width at Nut: 1-3/4" Fingerboard Width at 12th Fret: 2-1/4" Fingerboard Position Inlays: Diamonds & Squares - Long PatternFingerboard Binding: None Finish Back & Sides: Polished Gloss Finish Top: Polished Gloss w/ Vintage Toner Finish Neck: Polished Gloss Bridge Material: Solid Black Ebony Bridge Style: Belly Bridge String Spacing: 2-1/4" Saddle: 16" Radius/Compensated/Bone Tuning Machines: Gotoh Nickel Open-Geared w/ Butterbean Knobs Recommended Strings: Martin Light Phosphor Bronze (MEC12) Bridge & End Pins: White w/Black Dots Pickguard: Tortoise Color - Beveled & Polished Case: Original Martin Case Interior Label: CFM IV & Eric Clapton Pre-Printed Signatures Learn More

The MINSTREL, like the Tupelo, gives a warm and woody Old-Timey sound. With a scrolled peg head and Mother-of-Pearl shell inlay in the Frailing scoop, this model is fashioned after the American Antebellum banjos. The 2-ply solid Maple rim is 9/16” thick and is capped with black Ebonite and bound with simulated Tortoise shell. A varnish finish is hand-rubbed generously and then sealed. The OME 12” maple Tone Rim construction combined with less brackets and wood rim-rod produce our “woodiest” Old-Time banjo tone. The MINSTREL is made with the same care and precision as other OME instruments and comes with a deluxe hard-shell case. Learn More

The Laney LA30D is a compact acoustic combo amplifier that is packed for performance and designed specifically for acoustic instruments such as acoustic-electric guitars. LA30D’s two independent input channels both offer the choice of balanced XLR or unbalanced 1/4” inputs and both can have digital reverb assigned to them as required. This flexibility allows for connection of a mic and instrument, two different acoustic instruments, or even a blend of separate mic and pickup connections from the same instrument. The main instrument channel features a 3-band EQ for customizable tone sculpting plus a Shape switch – this provides a great sounding “go to” setting from a single button press. A pre-selected chorus setting can also be added with a simple switch. This snappy, stylish, and lightweight amp is a hard worker that fits wonderfully in a variety of places, including performance venues, the practice room, home recording space, or teacher’s studio. There is also a 3.5mm AUX input that allows for connection of a playback device such as an MP3 player/CD player/phone/tablet for jamming along to songs or backing tracks. The Laney LA30D also includes a 3.5mm headphone port – a great feature for private practice or silent late-night jam sessions. Switchable Phase and Anti-feedback switches, plus a 1/4" DI output round out the connection options on this versatile acoustic amp. The LA30D is sure to deliver full, natural acoustic sound-reproduction with plenty of high-end sparkle. Laney Learn More