Search results for 'Martin Guitar Junior'

The Martin SWDGT from the Sustainable Wood Series features a solid Sitka spruce top, certified solid cherry wood back and sides, mahogany neck, and a certified katalox bridge and fingerboard. The neck has a low profile shape and an adjustable truss rod. Appointments include pearl dot inlays and a natural satin finish for enhanced tone. Includes deluxe Martin hardshell case. Features Model: SWDGT Construction: Solid Sustainable Cherry Blocks; Mortise/Tenon Neck Joint Body Size: D-14 Fret Top: Solid Sitka Spruce Rosette: Tortoise Color WwIvoroid, Blue And White Inlay Top Bracing Pattern: A-Frame ''X'' Top Braces: Solid Sitka Spruce 5/16'' Back Material: Solid Sustainable Cherry Back Purfling: Tortoise Color Side Material: Solid Sustainable Cherry Endpiece: Delmar Tortoise Color - Red Endpiece Inlay: None Binding: Tortoise Color - Red Top Inlay Style: Black/Grained Ivoroid Side Inlay: None Back Inlay: None Neck Material: Sustainable Cherry Neck Shape: Modified Low Oval Nut Material: White Corian Headstock: Solid/Square Taper Headplate: Tortoise Color/Raised Gold Foil Heelcap: Tortoise Color - Red Fingerboard Material: Solid Sustainable Katalox Scale Length: 25.4'' # of Frets Clear: 14 # of Frets Total: 20 Fingerboard Width at Nut: 1-11/16'' Fingerboard Width at 12Th Fret: 2-1/8'' Fingerboard Position Inlays: Style 28 - Imitation Pearl Dots Fingerboard Binding: None Finish Back & Sides: Satin Finish Top: Polished Gloss w/ Aging Toner Finish Neck: Satin Bridge Material: Solid Sustainable Katalox Bridge Style: Belly Bridge String Spacing: 2-1/8'' Saddle: 16'' Radius/Compensated/White Tusq Tuning Machines: Gold Enclosed w/ Small Buttons Recommended Strings: Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200) Bridge & End Pins: White w/ Tortoise Colored Dots Pickguard: Tortoise Color Case: 640 Molded Interior Label: Sustainable Wood Series Includes deluxe Martin hardshell case Learn More

This is a 2000 Ribbecke Monterey Archtop featuring Solid bookmatched handcarved tap tuned Sitka spruce top, handcarved premium Bigleaf flame maple back and sides. 2 piece tiger maple neck, solid ebony fingerboard, pearl and abalone headstock logo, and Ivorid body, headstock, neck and soundhole binding. Learn More

This is a limited edition 00-16DBR Women and Music model built in 1998. Learn More

From Taylor Guitars "golden era" we have vintage 1998 Taylor K20c dreadnought Koa series with cutaway and passive under saddle pickup. This guitar features one piece Mahogany neck, a 1-11/16" nut, and some amazing master grade Koa you don't see much anymore Learn More

2013 Hatcher Penelope Crossover in excellent condition Learn More

Gibson Custom Shop Keb Mo Model - The blues was born as an acoustic music style and its roots still reach back to that early connection. No artist embraces this ethos more than Keb' Mo', whose post-modern blues stylings stretch to fully electric blues, jazz, and R&B, while constantly referencing the Delta-fried, acoustic-fueled music that forms the beating heart of his inspiration. Gibson Acoustic honors this three-time Grammy Award Winner with the Keb' Mo' Bluesmaster, a flat-top acoustic guitar made in the tradition of the great small-bodied Gibson blues boxes with the added versatility of a built-in L.R. Baggs Element pickup with soundhole-mounted volume control. Learn More

This is a recent Collings OM2H Orchestra Model (OM) featuring select Spruce top gorgeous Rosewood back and sides. Learn More

This is a 2001 Gibson ESDT-335 featuring a beautiful trans dark cherry finish and figured single-ply bound Maple body for a cool vintage look. Also features Rosewood fretboard, NGold Hardware, Grover Tuners, and 57 Classic humbucking pickup. Learn More

Taylor’s sleek, easy-playing necks make for an incredibly smooth 12-string experience. The 556ce features mahogany back and sides with a top of Lutz spruce, a natural hybrid of Sitka and White spruce that resembles Adirondack spruce in its robust tonal output. The wood combo, together with the Grand Symphony body and Taylor’s internal Performance bracing, will yield a wonderfully balanced 12-string voice that blends tonal power, depth and articulation into a dynamic package that’s equally responsive to a light or lively strumming attack. A Venetian cutaway offers easy access to the guitar’s upper register octave shimmer, while Taylor’s proprietary Expression System® 2 electronics parlay all that musical detail into a well-defined amplified 12-string sound. Appointments include faux tortoise shell binding and pickguard, a rosette of faux tortoise shell framed by grained ivoroid, and a grained ivoroid Century fretboard inlay. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

Heritage Guitars H-150 Limited Edition #11 of 25 Vintage 2008 Learn More

Pre Owned Ovation Adamas W598 12-String Learn More