Search results for 'Martin Guitar 16 Series'

Music and craftsmanship are a big part of Luthier Bill Wise's heritage. His father and grandfather were excellent craftsmen and mechanical designers. Artistry and musical talent are matched on his mother's side as well. In 1996, while searching for a new guitar to satisfy his desire for a high quality finger-style instrument, those who know of Bill's talent and ability suggested he build his own. After stringing up his first instrument and hearing the clarity and beauty of its sound, he decided lutherie must become a full time pursuit, Charis Acoustic was born! Learn More

This a 1996 Custom Santa Cruz OM featuring Brazilian Rosewood back/sides, German spruce top, Advanced X bracing, 42 style fingerboard inlays (abalone rosette, top purfling and fingerboard extension) Brazilian headstock overlay with Torch inlay, and Gold Waverly tuners Learn More

Built in accordance with Martins responsible guitar building practices, the SWOMGT sustainable wood model provides a combination of great tone and attractive appointments. Yes, the majority of wood utilized in this instrument originated in forests managed in an ecologically responsible manner, but it looks, plays, and sounds great too. Learn More

Perhaps the most revered vintage D-28s are the ones created in 1937 with forward shifted hand-scalloped X-bracing, Adirondack red spruce soundboard and a 1 3/4" neck width. This addition to the Authentic series is a recreation of the original 1937 model offered with Madagascar rosewood back and sides. Martin’s new Vintage Tone System (VTS) is employed for the top and braces. The new Martin Vintage Tone System (VTS) uses a unique recipe that is based on the historic torrefaction system. The VTS acts much like a time machine in which Martin can target certain time periods and age the top/braces to that era. This focused method allows Martin’s craftsmen and women to recreate not only the pleasing visual aesthetics of a vintage guitar, but also reproduce the special tones previously reserved for vintage instruments Learn More

The Martin SWDGT from the Sustainable Wood Series features a solid Sitka spruce top, certified solid cherry wood back and sides, mahogany neck, and a certified katalox bridge and fingerboard. The neck has a low profile shape and an adjustable truss rod. Appointments include pearl dot inlays and a natural satin finish for enhanced tone. Includes deluxe Martin hardshell case. Features Model: SWDGT Construction: Solid Sustainable Cherry Blocks; Mortise/Tenon Neck Joint Body Size: D-14 Fret Top: Solid Sitka Spruce Rosette: Tortoise Color WwIvoroid, Blue And White Inlay Top Bracing Pattern: A-Frame ''X'' Top Braces: Solid Sitka Spruce 5/16'' Back Material: Solid Sustainable Cherry Back Purfling: Tortoise Color Side Material: Solid Sustainable Cherry Endpiece: Delmar Tortoise Color - Red Endpiece Inlay: None Binding: Tortoise Color - Red Top Inlay Style: Black/Grained Ivoroid Side Inlay: None Back Inlay: None Neck Material: Sustainable Cherry Neck Shape: Modified Low Oval Nut Material: White Corian Headstock: Solid/Square Taper Headplate: Tortoise Color/Raised Gold Foil Heelcap: Tortoise Color - Red Fingerboard Material: Solid Sustainable Katalox Scale Length: 25.4'' # of Frets Clear: 14 # of Frets Total: 20 Fingerboard Width at Nut: 1-11/16'' Fingerboard Width at 12Th Fret: 2-1/8'' Fingerboard Position Inlays: Style 28 - Imitation Pearl Dots Fingerboard Binding: None Finish Back & Sides: Satin Finish Top: Polished Gloss w/ Aging Toner Finish Neck: Satin Bridge Material: Solid Sustainable Katalox Bridge Style: Belly Bridge String Spacing: 2-1/8'' Saddle: 16'' Radius/Compensated/White Tusq Tuning Machines: Gold Enclosed w/ Small Buttons Recommended Strings: Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200) Bridge & End Pins: White w/ Tortoise Colored Dots Pickguard: Tortoise Color Case: 640 Molded Interior Label: Sustainable Wood Series Includes deluxe Martin hardshell case Learn More

This is a 2000 Ribbecke Monterey Archtop featuring Solid bookmatched handcarved tap tuned Sitka spruce top, handcarved premium Bigleaf flame maple back and sides. 2 piece tiger maple neck, solid ebony fingerboard, pearl and abalone headstock logo, and Ivorid body, headstock, neck and soundhole binding. Learn More

This is a recent McPherson MG 3.5 featuring amazing AA Rosewood back and sides and select Spruce top Learn More

2010 Gibson Hummingbird. Introduced in 1960 as Gibson’s first square-shouldered dreadnought, the Hummingbird arrived at the dawn of a new era in music, and was rapidly embraced by several prime movers on the scene. In the hands of everyone from Keith Richards to Gram Parsons, it quickly proved itself equally adept at folk, country and rock, and excelled at many of the crossovers genres in between that helped to set the scene for the ’60s Learn More

This is a 2009 Stehr 00-12 with all the bells and whistles, full specs are as follows: 00 12-Fret Body Soundboard: Sinker Redwood Back and sides: Macassar Ebony Macassar Binding, Fretboard, Headstock and Bridge: Rosette: Paua Burl Neck material: Mahogany Lower bout: 14 7/8" Upper bout: 10" Waist: 8 1/4" Depth: 4 1/8" Length of body: 19.5" Overall length: 39.25" Scale length: 25 3/8" Nut width: 1 11/16" Saddle spacing: 2 1/8" Electronics: K&K Mini Burle Fret Markers Side Soundport X Brace, Forward Shifted Carpathian Spruce Learn More

This is a pre Pantheon JR-A (JOM) featuring AA Rosewood and Spruce with rich black Ebony fretboard and bridge. Learn More

This is a custom Go Guitars Go Parlor II built by master Luthier Sam Radding. Sam is known for giving Bob Taylor his start in the guitar business back in the 70's, and more recently for his outstanding Go Travel guitars, like this one. Learn More