Search results for 'rain song'

This Custom Shop OM-28 was spec'd at Winter NAMM 2014 and it features hand selected Madagascar, with Premium Adirondack top, and full hide glue constriction Learn More

The Elvis Costello Century of Progress Signature acoustic guitar is fashioned after Costello's beloved 1936 model. It is a painstaking recreation of his favorite acoustic, used to record and perform many of the songs that made him the iconic musician that he is. Culling information from photos of Costello's treasured guitar and the original blueprints from the 1930s, Gibson Acoustics' team of master luthiers were able to successfully reproduce every attribute of Costello's prized acoustic guitar with flawless accuracy and immaculate attention to detail. No feature was overlooked in the creation of the Elvis Costello Century of Progress acoustic guitar. From the figured eastern hard rock maple used for the back and sides to the Adirondack spruce used for the top and bracing, including vintage-style glue used to put it all together, the acoustic also offers a distinct peghead veneer and period-correct custom pearloid fingerboard, adorned by diamond inlays within Madagascar rosewood rectangle fingerboard markers. The neck is crafted from one solid piece of Honduran mahogany, and hand-sanded to form a pronounced "V" profile. The Elvis Costello Century of Progress from Gibson Acoustic will be released in a very limited run of only 300 instruments, numbered from 001 to 300 with an exclusive black hardshell guitar case adorned with a special Elvis Costello/Gibson stamped commemorative plaque and certificate of authenticity. Each Gibson signature guitar's label will also be personally autographed by Costello. Learn More

Phoenix Guitar Company Nylon OM -- This guitar is an innovation of the Phoenix Guitar Company, it is built mainly for fingerstyle and jazz. They first introduced this model in 1994, and since that time, it has undergone several generations of improvements, from its body size to its top and back bracing. This guitar has the beautiful tone of a concert classical guitar, and is very balanced, from its mellow bass to its crisp treble. It has a narrower 1-7/8" radiused fingerboard, making it almost effortless to play. Learn More

This is a recent Collings OM2H Orchestra Model (OM) featuring select Spruce top gorgeous Rosewood back and sides. Learn More

Within Taylors guitar line, the Presentation Series stands out as the paragon of Taylor luthiery. This limited edition 12-fret Grand Auditorium showcases those same top-tier aesthetic virtues with the breathtaking pairing of striped West African ebony, sourced from Taylor’s Crelicam ebony mill in Cameroon, with richly variegated sinker redwood. The tight-grained redwood tops were sliced from old-growth logs reclaimed from the bottom of a California river, whose mineral-rich river bed infused the wood with an array of color hues. Sonically, redwood blends the warm overtone complexity of cedar with the attacking power of spruce, while ebony yields some of rosewood’s bell-like fidelity but with the more linear output of maple. The magic here is in the fusion of these tonal nuances with a 12-fret Grand Auditorium body. Players can expect a warm, balanced response that packs an extra punch with the help of the redwood top and the 12-fret’s shifted bridge location. The guitar is detailed with our finest Presentation Series appointments, including ebony binding with a beveled ebony armrest, elaborate Nouveau paua inlays and edge trim, and gold Gotoh tuners with a 21:1 tuning ratio for maximum precision. The guitar comes equipped with Expression System 2 electronics and ships in a deluxe hardshell case. Learn More

This is a recent Collings OM2H Orchestra Model (OM) Cutaway featuring select Spruce top gorgeous Rosewood back and sides and K&K Mini Electronics Learn More

This is a Martin Custom Shop 00 14-Fret featuring Guatemalan Rosewood back and sides, along with Sitka VTS soundboard. This guitar is light, responsive, with a full, rich tone, and much more volume and headroom than you would expect from an ordinary 00. Learn More

The D-28 Authentic 1931 boasts period correct "28" Authentic style appointments, hide glue construction, and Authentic 1931 neck barrel, heel, diamond, head taper, and slots Learn More

This is #22 of 50. This NAMM Show Special is inspired by an instrument of George Bauer, who was a Philadelphia luthier around 1890-1910. The SS-0041GB-17 is limited to 50 instruments and is crafted from a European spruce top with Vintage Tone System and Guatemalan rosewood back and sides. This 12-fret Grand Concert model features a dovetail neck joint with hide glue construction, grained ivoroid binding and heelcap, an ebony bridge and ebony fingerboard that is bound with grained ivoroid and inlaid with an abalone and mother-of-pearl custom snowflake and block design. This guitar will be treasured for years to come for its beautiful dynamic tones, as well as its aesthetic appearance Learn More

When Leo Fender launched the G&L SB-1 bass in 1982, he packed his latest innovations in pickup and bridge design into a straightforward, hard-working bass. At that time the SB-1 had an MFD single coil pickup and no pickguard, which was a departure from the classic single-pickup passive bass. By 1985, however, the SB-1 had taken the form it has today, with an MFD split-coil humbucking pickup and pickguard. In some way, the SB-1 set the stage for several G&L models to come: Leo took a a classic design and applied his core improvements, in this case, the MFD pickup and Saddle Lock bridge Learn More

Built in accordance with Martins responsible guitar building practices, the SWOMGT sustainable wood model provides a combination of great tone and attractive appointments. Yes, the majority of wood utilized in this instrument originated in forests managed in an ecologically responsible manner, but it looks, plays, and sounds great too. Learn More