Search results for 'Martin Guitar Standard Series'

New for 2015, the 600 series guitars features figured maple back and sides, torrefied Sitka spruce top, hard rock maple neck, 600 Series Advanced Performance bracing with protein glue..... Learn More

Martin 0-28 Vintage 1892 Learn More

Vibrantly hued cocobolo makes an exotic guest appearance on this 900 Series limited edition Grand Auditorium. Instead of the Advanced Performance bracing scheme typically used with our rosewood 900 Series, we opted for Performance bracing to better complement cocobolo’s musical properties. The voicing architecture brings out extra warmth and tempers the wood’s ringing top end tendencies to create a balanced voice with an articulate response. Aesthetically, we’ve embellished the detail-rich 900 Series appointment package with an amber-brown shaded edgeburst finish treatment around the body and neck. The color gradation adds subtle depth to the cocobolo’s glowing hues and creates a visual harmony between the darker sides and the lighter Sitka spruce top. It also intensifies the rich sparkle of the abalone edge trim. Visually and tonally, this guitar exudes refined beauty Learn More

World-renowned fingerstylist and longtime Taylor Guitars clinician Doyle Dykes is best known for deft picking and melodic guitar arrangements. A decade after introducing his Doyle Dykes Signature Model (DDSM) with the company, Doyle is proud to unveil a new namesake for strummers who aspire to the virtuoso�s skill and command of performance in the Doyle Deluxe (DDX) guitar Learn More

This is a full custom 00 Slope Shoulder based on the hugely popular CEO-7. Featuring upgraded woods throughout, this custom takes the CEO7 to the next level. Learn More

It's our most popular and versatile model, and it's no wonder! The grand auditorium sized cut-away provides fuller bass response than our slimmer X Model, while providing easy access to upper frets with its no-heel neck joint. The GX is braced with our performance tuned lightweight carbon fiber bracing for an extremely well-balanced volume on every note. The GX provides a very quick and clean response - excellent for chord strumming and flat picking. The comfortable double-cut sculpted back will make you think this guitar was made just for you, and it was! Learn More

Perhaps the most revered vintage D-28s are the ones created in 1937 with forward shifted hand-scalloped X-bracing, Adirondack red spruce soundboard and a 1 3/4" neck width. This addition to the Authentic series is a recreation of the original 1937 model offered with Madagascar rosewood back and sides. Martin’s new Vintage Tone System (VTS) is employed for the top and braces. The new Martin Vintage Tone System (VTS) uses a unique recipe that is based on the historic torrefaction system. The VTS acts much like a time machine in which Martin can target certain time periods and age the top/braces to that era. This focused method allows Martin’s craftsmen and women to recreate not only the pleasing visual aesthetics of a vintage guitar, but also reproduce the special tones previously reserved for vintage instruments Learn More

This i a 2011 Martin HD-28VS featuring scalloped "X" bracing, solid spruce top Learn More

This is a 2011 PRS Custom 24 with gorgeous quilted top and hardshell case. Learn More

This is a 2008 first year Composite Acoustics Cargo with Charcoal Road Tough finish which was their toughest finish and is no longer offered. It also features Fishman Matrix electronics as opposed to the lower priced LR Baggs Element provided with current models Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More