Search results for 'Left handed acoustic guitar'

McNaught Custom Phoenix Rising Learn More

This is a 2001 00-17 all solid mahogany concert model with hardshell case. Learn More

Phoenix Guitar Company Nylon OM -- This guitar is an innovation of the Phoenix Guitar Company, it is built mainly for fingerstyle and jazz. They first introduced this model in 1994, and since that time, it has undergone several generations of improvements, from its body size to its top and back bracing. This guitar has the beautiful tone of a concert classical guitar, and is very balanced, from its mellow bass to its crisp treble. It has a narrower 1-7/8" radiused fingerboard, making it almost effortless to play. Learn More

This is a 2012 Martin D-18V vintage series dreadnought in excellent condition. This discontinued models features solid Sitka spruce top, solid Mahogany back and sides, Mahogany neck with modified V profile, ebony fretboard and bridge, rosewood headplate, and scalloped forward shifted bracing. Beautifully handcrafted from top to bottom and appointed with a belly-drop style bridge, vintage butterbean tuners, and old-style rosette. Learn More

This a 1996 Custom Santa Cruz OM featuring Brazilian Rosewood back/sides, German spruce top, Advanced X bracing, 42 style fingerboard inlays (abalone rosette, top purfling and fingerboard extension) Brazilian headstock overlay with Torch inlay, and Gold Waverly tuners Learn More

Premium features like forward-shifted braces, ebony fingerboard and bridge, and bone nut and saddle add sonic complexity to this value-priced Made in Nazareth, Pennsylvania Dreadnought. Learn More

The elongated body on our OOO 12fret model makes the guitar very comfortable to play. The extra air space inside the guitar contributes to strong reverb and thick powerful overtones. ‍ Specs: Full specs are as follows: Top: Cedar Back & sides: Quilted Mahogany Binding: Maple Length- 20 3/8" Lower Bout- 14 15/16" Upper Bout - 10 1/2" Waist - 8 15/16" Depth at Endwedge - 4 1/16" Nut width: 1 3/4" Scale length: 25" String spacing at saddle: 2 1/4" Pickup: Fishman Matrix Infinity Case: Cedar Creek hard shell case This guitar is in excellent condition with no issues to mention. Learn More

You never have to worry about comfortably reaching the higher frets when you’re using one of our AC models. Nearly all of our AC guitars come with an LR Baggs Element or Fishman pickup. Guitar Specs: Model: AC108CE-LTD Neck Material: Mahogany Fingerboard: Ebony Fingerboard Radius: 12" Fretwire: 20 Jescar-FW43080 Body Dimensions: 15" x 4 1/4" Neck Profile: Traditional Even "C" Nut: Bone 1 3/4" Scale Length: 25.4" Bracings: Hand-carved Scalloped X Body Top: Solid Adirondack Spruce Body Back/Sides: Solid Sapele Bridge/Saddle: Ebony/Bone, 2-5/32" Spacing Rosette: Classic Truss Rod: Dual Acting Binding: Top/Back Binding Material: Tortoise Logo: Pearl Headstock Inlay: Pearl Dots Side Dot Color: White Bridge Pins: Ebony Body Top Finish: Open Pore Back/Sides Finish: Open Pore Hardware Color: Nickel Pickguard: Tortoise Shell G-Guard Electronics: LR Baggs EAS Tuners: Ping RM 1171-CVR 3+3 Strings: D'Addario .012 -.053 EXP16 Action Height: 12th fret 3/32" on the bass side and 2/32" on the treble side Case: Padded Eastman Gig Bag Truss Rod Wrench: 4mm Allen Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

The stylish design of the 40 Series adds panache to the classic tone and feel of East Indian rosewood back and sides, a Sitka spruce scalloped X-braced top, and hand-fit dovetail neck joint. Open geared tuners, antique white binding, polished gloss finish, a tortoise colored pickguard and abalone pearl inlay offer shimmer with exemplary tone. Long scale and a sleek modified low-oval neck with narrow taper mean strumming and picking for hours in comfort and bliss. Learn More

This is a handmade acoustic from the shop of Master Luthier Otto D'Ambrosio. Model: D'Ambrosio Valencia Neck Material: Hard rock maple Fingerboard:Ebony Fingerboard Radius:12-16" Neck Profile:Traditional round Nut:Bone 1 3/4" (possible a hair smaller) 1 23/32" Scale Length: 24.625" BracingHand-Carved X Body Top: EuropeanSpruce Body Back/Sides: Honduran Mahogany Bridge/Saddle:Ebony/Bone, 2-5/32" Spacing Upper bout - 12" Waist - 10" Lower Bout - 15" Depth at end pin - 4" Rosette: Figured maple Binding Material:Figured Maple Side Dots/Inlays: Pearl Finish:Nitrocellulose Gloss Tuners:Gotoh slot-head SEP700 Electronics:LR Baggs Anthem Pickguard: Tortoise teardrop Strings:D'Addario .012 -.053 EXP16 Action Height:12th fret 5/64" on the bass side and 3/64" on the treble side Case:Cedar Creek This guitar is in excellent condition with no issues to mention. Learn More

One of only 200 made, each of these limited-edition Grand Auditorium models boasts boldly unique visual character, thanks to the striking sets of blackheart sassafras selected for the back and sides. The blond heartwood is naturally accented by contrasting olive, black and chestnut-brown coloration. Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood,and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class® bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardsh Musically, sassafras blends the midrange warmth of mahogany, the top-end sparkle of rosewood, and the clarity of maple into a player-reflective voice that responds well to the nuances of a player’s attack. The Lutz spruce top and V-Class bracing bring impressive power, sustain and dynamic range to the sound. Noteworthy appointments include rosewood binding and back strip, maple/black/Douglas fir herringbone top edge trim, a Douglas fir herringbone rosette, “Reflections” fretboard/peghead inlays in pale green abalone, a gloss-finish body and Taylor smoked nickel tuners. The guitars also feature a Venetian cutaway and onboard ES2 electronics, and ship with a Taylor deluxe hardshell case. Learn More