Search results for 'Left handed acoustic guitar'

This is a 2009 Stehr 00-12 with all the bells and whistles, full specs are as follows: 00 12-Fret Body Soundboard: Sinker Redwood Back and sides: Macassar Ebony Macassar Binding, Fretboard, Headstock and Bridge: Rosette: Paua Burl Neck material: Mahogany Lower bout: 14 7/8" Upper bout: 10" Waist: 8 1/4" Depth: 4 1/8" Length of body: 19.5" Overall length: 39.25" Scale length: 25 3/8" Nut width: 1 11/16" Saddle spacing: 2 1/8" Electronics: K&K Mini Burle Fret Markers Side Soundport X Brace, Forward Shifted Carpathian Spruce Learn More

This is the all new completely reworked 814ce featuring lighter bracing and wood thicknesses as well as a thinner finish which all ad up to more of everything you love about these guitars.

Learn More

This is an 2003 Martin 000-16SGT Auditorium Guitar featuring solid spruce top, solid mahogany back and sides, bold herringbone rosette, tortoise pickguard, black binding and orignal hardshell case. Learn More

Martin HD-28MP Features Herringbone Trim Madagascar Back & Sides and PA Neck Learn More

Phoenix Guitar Company Nylon OM -- This guitar is an innovation of the Phoenix Guitar Company, it is built mainly for fingerstyle and jazz. They first introduced this model in 1994, and since that time, it has undergone several generations of improvements, from its body size to its top and back bracing. This guitar has the beautiful tone of a concert classical guitar, and is very balanced, from its mellow bass to its crisp treble. It has a narrower 1-7/8" radiused fingerboard, making it almost effortless to play. Learn More

This is a 2012 Martin D-18V vintage series dreadnought in excellent condition. This discontinued models features solid Sitka spruce top, solid Mahogany back and sides, Mahogany neck with modified V profile, ebony fretboard and bridge, rosewood headplate, and scalloped forward shifted bracing. Beautifully handcrafted from top to bottom and appointed with a belly-drop style bridge, vintage butterbean tuners, and old-style rosette. Learn More

This is a custom Go Guitars Go Grande built by master Luthier Sam Radding. Sam is known for giving Bob Taylor his start in the guitar business back in the 70's, and more recently for his outstanding Go Travel guitars, like this one. Learn More

Within Taylors guitar line, the Presentation Series stands out as the paragon of Taylor luthiery. This limited edition 12-fret Grand Auditorium showcases those same top-tier aesthetic virtues with the breathtaking pairing of striped West African ebony, sourced from Taylor’s Crelicam ebony mill in Cameroon, with richly variegated sinker redwood. The tight-grained redwood tops were sliced from old-growth logs reclaimed from the bottom of a California river, whose mineral-rich river bed infused the wood with an array of color hues. Sonically, redwood blends the warm overtone complexity of cedar with the attacking power of spruce, while ebony yields some of rosewood’s bell-like fidelity but with the more linear output of maple. The magic here is in the fusion of these tonal nuances with a 12-fret Grand Auditorium body. Players can expect a warm, balanced response that packs an extra punch with the help of the redwood top and the 12-fret’s shifted bridge location. The guitar is detailed with our finest Presentation Series appointments, including ebony binding with a beveled ebony armrest, elaborate Nouveau paua inlays and edge trim, and gold Gotoh tuners with a 21:1 tuning ratio for maximum precision. The guitar comes equipped with Expression System 2 electronics and ships in a deluxe hardshell case. Learn More

Classic styling with a tight-waisted jumbo body shape, the J-40 has solid East Indian rosewood back and sides, Sitka spruce top, polished gloss finish and a hand-fit dovetail neck joint. It produces a tone that is beautifully balanced with powerful response and volume, enhancing the art of the singer-songwriter. Learn More

Within Taylor standard line, the K24ce is a favorite of the Koa Series, blending the stunning tonal and aesthetic appeal of an all-solid koa body with the comfort and versatility of the Grand Auditorium body shape. This limited edition showcases an alternative package of wood-rich appointments, including the floating kelp-inspired koa and boxwood Ocean Vine fretboard inlay scheme, with figured maple binding and rosette. Tonally, the koa top levels out a lively strumming attack to produce to a clear, focused voice with top-end chime. Perhaps the best part: the longer you play it, the better it sounds. And with the onboard ES2 electronics, you can count on natural-sounding amplified tone whenever the time is right. Learn More

1996 Collings 0001 - The 12-fret 000 has the same general appearance as the Collings 00, but in a larger size with longer string scale. Although it's the same width and depth as the OM, the longer body typically produces more bass and overall volume. This makes the Collings 000 ideal for string-band purists or any guitarist who wants a maximum of power from an instrument of comfortable size with an elegant, old-time appearance. Learn More

Vibrantly hued cocobolo makes an exotic guest appearance on this 900 Series limited edition Grand Auditorium. Instead of the Advanced Performance bracing scheme typically used with our rosewood 900 Series, we opted for Performance bracing to better complement cocobolo’s musical properties. The voicing architecture brings out extra warmth and tempers the wood’s ringing top end tendencies to create a balanced voice with an articulate response. Aesthetically, we’ve embellished the detail-rich 900 Series appointment package with an amber-brown shaded edgeburst finish treatment around the body and neck. The color gradation adds subtle depth to the cocobolo’s glowing hues and creates a visual harmony between the darker sides and the lighter Sitka spruce top. It also intensifies the rich sparkle of the abalone edge trim. Visually and tonally, this guitar exudes refined beauty Learn More