Search results for 'baby taylor'

On Taylor's 700 Series 712e 12-Fret Grand Concert Acoustic Electric Guitar, the neck meets the body at the 12th fret rather than the 14th, and the bridge position is closer to the center of the lower bout. The result is a splash of extra tonal depth. The classic pairing of rosewood and spruce yields a full-range acoustic voice, while the smaller body keeps the overtones in check and fits nicely in a mix with other instruments. A short-scale 24-7/8-inch neck adds comfort to the playing experience. A Vintage Sunburst top and neck, ivoroid binding and rosette, and ivoroid Heritage Diamond fretboard inlays evoke an old-soul persona. Stage-friendly Taylor Expression System 2 acoustic electronics translate the acoustic dynamics and tonal detail into exceptional amplified tone. Learn More

Within Taylors guitar line, the Presentation Series stands out as the paragon of Taylor luthiery. This limited edition 12-fret Grand Auditorium showcases those same top-tier aesthetic virtues with the breathtaking pairing of striped West African ebony, sourced from Taylor’s Crelicam ebony mill in Cameroon, with richly variegated sinker redwood. The tight-grained redwood tops were sliced from old-growth logs reclaimed from the bottom of a California river, whose mineral-rich river bed infused the wood with an array of color hues. Sonically, redwood blends the warm overtone complexity of cedar with the attacking power of spruce, while ebony yields some of rosewood’s bell-like fidelity but with the more linear output of maple. The magic here is in the fusion of these tonal nuances with a 12-fret Grand Auditorium body. Players can expect a warm, balanced response that packs an extra punch with the help of the redwood top and the 12-fret’s shifted bridge location. The guitar is detailed with our finest Presentation Series appointments, including ebony binding with a beveled ebony armrest, elaborate Nouveau paua inlays and edge trim, and gold Gotoh tuners with a 21:1 tuning ratio for maximum precision. The guitar comes equipped with Expression System 2 electronics and ships in a deluxe hardshell case. Learn More

This is a custom Go Guitars Go Parlor II built by master Luthier Sam Radding. Sam is known for giving Bob Taylor his start in the guitar business back in the 70's, and more recently for his outstanding Go Travel guitars, like this one. Learn More

Taylor Guitars made a limited edition of its popular acoustic GS Mini series with tops of Engelmann spruce harvested at Holden Village, and layered Maple for back and sides. Proceeds from guitar sales went to clean water projects in third-world countries under the direction of two nonprofit organizations. Learn More

This is a very limited K24ce 12-Fret LTD from a small run in 2017 that was never sold and never on display. K24ce 12-Fret LTD - The Grand Auditorium body and 12-fret scale of the K24 12-Fret LTD perfectly complements the natural qualities of Hawaiian Koa. Made from all-solid Koa on the top, back, and sides, this guitar projects a brilliant, sparkling tone balanced by a punchy midrange that opens up and sweetens over time. The short scale length contributes to a relaxed, easy hand feel, making this a perfect choice for fingerstyle players as well as more aggressive strummers. This limited edition is artfully appointed with figured maple binding and Koa Ocean Vine fretboard inlays Learn More

This is a 2005 Taylor T5C2 Custom featuring gorgeous figured Koa Top, intricate abalone fretboard inlays, gold hardware, full body binding, bone nut and saddle, bound f-holes, mahogany neck, and an ebony fretboard and bridge. The T5 is a resonant, fully hollow thinline guitar providing musicians the freedom of a solid-body and the feel and sound of your beloved Taylor acoustic. Whether played through an electric or acoustic amp, it delivers a fantastic range of pure tones from smooth, strumming acoustic to crunchy electric chords. Learn More

Capitalizing on the opportunity to showcase new materials and sounds, this Grand Auditorium 414ce LTD features black limba back and sides with a Sitka spruce top, an unusual combination that yields a warm, balanced tone with a strong attack. V-Class bracing adds power and sustain, projecting a dry, fundamental-strong response reminiscent of mahogany. This NAMM-exclusive model includes a three-piece back configuration, black binding, Small Diamond fretboard inlays in Italian acrylic, and a gloss-finish body with a shaded edgeburst back, sides and neck. Learn More

This GS BTO features gorgeous figured Rosewood back and sides with select Adirondack top, and Ebony trim with armrest Learn More

Taylor NS24ce LTD 2011 Fall Limited nylon string guitar featuring Indian Rosewood laminate back and sides, solid Cedar top Learn More

Taylor 416ce-LTD Baritone 2012 Spring Limited featuring select Ovangkol back and sides, Sitka spruce top, white binding, pearloid progressive dot fretboard inlays, 3-ring rosette, chrome tuners, Venetian cutaway, and Expression System electronics. Learn More

Hawaiian koa occupies rare air among tonewoods, and for good reason: Its tone is crisp and complex, its figure can be variegated and striking, and it is among the more difficult woods to procure Learn More