Search results for 'taylor gs mini'

Bourgeois L-DBO. Inspired by the classic guitars that emerged from the mid-west early in the last century, the Bourgeois L-DBO brings that distinctive sound that old-time and county-blues enthusiasts love into a new era. Utilizing Bourgeois' Aged Tone torrefaction technology, this guitar combines vintage small-body character and bark with Dana's signature articulation and response. The result is a versatile instrument with tons of personality, perfect for finger-style blues, old-time accompaniment, and comfortable couch-playing. Learn More

Perhaps the most revered vintage D-28s are the ones created in 1937 with forward shifted hand-scalloped X-bracing, Adirondack red spruce soundboard and a 1 3/4" neck width. This addition to the Authentic series is a recreation of the original 1937 model offered with Madagascar rosewood back and sides. Martin’s new Vintage Tone System (VTS) is employed for the top and braces. The new Martin Vintage Tone System (VTS) uses a unique recipe that is based on the historic torrefaction system. The VTS acts much like a time machine in which Martin can target certain time periods and age the top/braces to that era. This focused method allows Martin’s craftsmen and women to recreate not only the pleasing visual aesthetics of a vintage guitar, but also reproduce the special tones previously reserved for vintage instruments Learn More

This is a 1999 Taylor 714ce featuring gorgeous Rosewood back and sides, select Cedar top and Fishman electronics. Learn More

This is a 2016 812ce 12-Fret Deluxe models featuring all the voicing enhancements and aesthetic refinements of Taylor’s standard rosewood/spruce 800 Series, with three upgraded features: a newly designed radius-style armrest in maple with rosewood top edge trim, and Adirondack spruce bracing. Learn More

A travel size instrument that sounds like a full size guitar? Impossible! Our Cargo is comfortable to play anywhere, from the forests of Oregon to the foothills of the Catskill mountains, and even in your favorite armchair. Finely appointed and incredibly durable, the Cargo is ready when you are. It easily fits airline overheads or anywhere space is tight. It's a portable guitar with the playability, sound and satisfaction of a full size guitar Learn More

You never have to worry about comfortably reaching the higher frets when you’re using one of our AC models. Nearly all of our AC guitars come with an LR Baggs Element or Fishman pickup. Guitar Specs: Model: AC108CE-LTD Neck Material: Mahogany Fingerboard: Ebony Fingerboard Radius: 12" Fretwire: 20 Jescar-FW43080 Body Dimensions: 15" x 4 1/4" Neck Profile: Traditional Even "C" Nut: Bone 1 3/4" Scale Length: 25.4" Bracings: Hand-carved Scalloped X Body Top: Solid Adirondack Spruce Body Back/Sides: Solid Sapele Bridge/Saddle: Ebony/Bone, 2-5/32" Spacing Rosette: Classic Truss Rod: Dual Acting Binding: Top/Back Binding Material: Tortoise Logo: Pearl Headstock Inlay: Pearl Dots Side Dot Color: White Bridge Pins: Ebony Body Top Finish: Open Pore Back/Sides Finish: Open Pore Hardware Color: Nickel Pickguard: Tortoise Shell G-Guard Electronics: LR Baggs EAS Tuners: Ping RM 1171-CVR 3+3 Strings: D'Addario .012 -.053 EXP16 Action Height: 12th fret 3/32" on the bass side and 2/32" on the treble side Case: Padded Eastman Gig Bag Truss Rod Wrench: 4mm Allen Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

The stylish design of the 40 Series adds panache to the classic tone and feel of East Indian rosewood back and sides, a Sitka spruce scalloped X-braced top, and hand-fit dovetail neck joint. Open geared tuners, antique white binding, polished gloss finish, a tortoise colored pickguard and abalone pearl inlay offer shimmer with exemplary tone. Long scale and a sleek modified low-oval neck with narrow taper mean strumming and picking for hours in comfort and bliss. Learn More

This is a handmade acoustic from the shop of Master Luthier Otto D'Ambrosio. Model: D'Ambrosio Valencia Neck Material: Hard rock maple Fingerboard:Ebony Fingerboard Radius:12-16" Neck Profile:Traditional round Nut:Bone 1 3/4" (possible a hair smaller) 1 23/32" Scale Length: 24.625" BracingHand-Carved X Body Top: EuropeanSpruce Body Back/Sides: Honduran Mahogany Bridge/Saddle:Ebony/Bone, 2-5/32" Spacing Upper bout - 12" Waist - 10" Lower Bout - 15" Depth at end pin - 4" Rosette: Figured maple Binding Material:Figured Maple Side Dots/Inlays: Pearl Finish:Nitrocellulose Gloss Tuners:Gotoh slot-head SEP700 Electronics:LR Baggs Anthem Pickguard: Tortoise teardrop Strings:D'Addario .012 -.053 EXP16 Action Height:12th fret 5/64" on the bass side and 3/64" on the treble side Case:Cedar Creek This guitar is in excellent condition with no issues to mention. Learn More

The Martin SWDGT from the Sustainable Wood Series features a solid Sitka spruce top, certified solid cherry wood back and sides, mahogany neck, and a certified katalox bridge and fingerboard. The neck has a low profile shape and an adjustable truss rod. Appointments include pearl dot inlays and a natural satin finish for enhanced tone. Includes deluxe Martin hardshell case. Features Model: SWDGT Construction: Solid Sustainable Cherry Blocks; Mortise/Tenon Neck Joint Body Size: D-14 Fret Top: Solid Sitka Spruce Rosette: Tortoise Color WwIvoroid, Blue And White Inlay Top Bracing Pattern: A-Frame ''X'' Top Braces: Solid Sitka Spruce 5/16'' Back Material: Solid Sustainable Cherry Back Purfling: Tortoise Color Side Material: Solid Sustainable Cherry Endpiece: Delmar Tortoise Color - Red Endpiece Inlay: None Binding: Tortoise Color - Red Top Inlay Style: Black/Grained Ivoroid Side Inlay: None Back Inlay: None Neck Material: Sustainable Cherry Neck Shape: Modified Low Oval Nut Material: White Corian Headstock: Solid/Square Taper Headplate: Tortoise Color/Raised Gold Foil Heelcap: Tortoise Color - Red Fingerboard Material: Solid Sustainable Katalox Scale Length: 25.4'' # of Frets Clear: 14 # of Frets Total: 20 Fingerboard Width at Nut: 1-11/16'' Fingerboard Width at 12Th Fret: 2-1/8'' Fingerboard Position Inlays: Style 28 - Imitation Pearl Dots Fingerboard Binding: None Finish Back & Sides: Satin Finish Top: Polished Gloss w/ Aging Toner Finish Neck: Satin Bridge Material: Solid Sustainable Katalox Bridge Style: Belly Bridge String Spacing: 2-1/8'' Saddle: 16'' Radius/Compensated/White Tusq Tuning Machines: Gold Enclosed w/ Small Buttons Recommended Strings: Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200) Bridge & End Pins: White w/ Tortoise Colored Dots Pickguard: Tortoise Color Case: 640 Molded Interior Label: Sustainable Wood Series Includes deluxe Martin hardshell case Learn More

Designed with Chris Martin, the CEO-7 is a "00" slope shouldered short scale reminiscent of models from the "Golden Era", with a gorgeous Autumn Sunset Burst finish,Golden Age Relic Nickel 2517 tuners with cream plastic buttons, and authentic headplate lettering. Providing you with a nice booming sound is a solid Adirondack spruce top and solid ebony fretboard complimented by solid mahogany back and sides for complex tonality. Other accoutrements include a striaghtline bridge with drop-in saddle, bone nut, dovetail neck joint, X-scalloped bracing, a modified V neck, and Old Style 18 positioning inlays, grained Ivoroid heelcap, and a Delmar tortoise color pickguard. Comes with Geib style case. Learn More

Capitalizing on the opportunity to showcase new materials and sounds, this Grand Auditorium 414ce LTD features black limba back and sides with a Sitka spruce top, an unusual combination that yields a warm, balanced tone with a strong attack. V-Class bracing adds power and sustain, projecting a dry, fundamental-strong response reminiscent of mahogany. This NAMM-exclusive model includes a three-piece back configuration, black binding, Small Diamond fretboard inlays in Italian acrylic, and a gloss-finish body with a shaded edgeburst back, sides and neck. Learn More