Search results for 'Martin Guitar 15 Series'

The Martin SWDGT from the Sustainable Wood Series features a solid Sitka spruce top, certified solid cherry wood back and sides, mahogany neck, and a certified katalox bridge and fingerboard. The neck has a low profile shape and an adjustable truss rod. Appointments include pearl dot inlays and a natural satin finish for enhanced tone. Includes deluxe Martin hardshell case. Features Model: SWDGT Construction: Solid Sustainable Cherry Blocks; Mortise/Tenon Neck Joint Body Size: D-14 Fret Top: Solid Sitka Spruce Rosette: Tortoise Color WwIvoroid, Blue And White Inlay Top Bracing Pattern: A-Frame ''X'' Top Braces: Solid Sitka Spruce 5/16'' Back Material: Solid Sustainable Cherry Back Purfling: Tortoise Color Side Material: Solid Sustainable Cherry Endpiece: Delmar Tortoise Color - Red Endpiece Inlay: None Binding: Tortoise Color - Red Top Inlay Style: Black/Grained Ivoroid Side Inlay: None Back Inlay: None Neck Material: Sustainable Cherry Neck Shape: Modified Low Oval Nut Material: White Corian Headstock: Solid/Square Taper Headplate: Tortoise Color/Raised Gold Foil Heelcap: Tortoise Color - Red Fingerboard Material: Solid Sustainable Katalox Scale Length: 25.4'' # of Frets Clear: 14 # of Frets Total: 20 Fingerboard Width at Nut: 1-11/16'' Fingerboard Width at 12Th Fret: 2-1/8'' Fingerboard Position Inlays: Style 28 - Imitation Pearl Dots Fingerboard Binding: None Finish Back & Sides: Satin Finish Top: Polished Gloss w/ Aging Toner Finish Neck: Satin Bridge Material: Solid Sustainable Katalox Bridge Style: Belly Bridge String Spacing: 2-1/8'' Saddle: 16'' Radius/Compensated/White Tusq Tuning Machines: Gold Enclosed w/ Small Buttons Recommended Strings: Martin SP Lifespan Phosphor Bronze Medium Gauge (MSP7200) Bridge & End Pins: White w/ Tortoise Colored Dots Pickguard: Tortoise Color Case: 640 Molded Interior Label: Sustainable Wood Series Includes deluxe Martin hardshell case Learn More

La Patri Concert SF Classical Guitar with case Learn More

The WS is a wonderfully versatile guitar. Combining the best qualities of large and small bodied guitars, it is ideally suited for a variety of musical situations. A large, deep chamber gives the WS strong projection and rich bass. The narrow waist and tight upper bout allow for a ringing treble, good balance and clear definition of individual notes. Overall, the WS is impeccably balanced. The shapely curves and light weight make the WS a comfortable guitar to cradle or stand with. The extra deep cutaway encourages playing up the fretboard. Soundboard Learn More

This is a recent Collings OM2H Orchestra Model (OM) featuring select Spruce top gorgeous Rosewood back and sides and K&K Mini Electronics Learn More

The Gibson J-45 acoustic guitar is the prince of a range of Gibson flattops now referred to as "Round-Shoulder Dreadnoughts." This elegant workhorse debuted in 1942, and became an instant favorite for its rich, warm, vocal tone and excellent projection. Today, this Gibson acoustic guitar is played by the likes of Bob Dylan, Ralph McTell, Billy Jo Armstrong, and Lucinda Williams. Carrying accurate touches such as a Slim-Taper neck profile, teardrop tortoise pickguard, 4-ply top binding, and banner headstock inlay (declaring "Only A Gibson Is Good Enough"), the Gibson J-45 True Vintage is an accurate representation of the acoustic guitar that became the standard of hard-gigging bluegrass, folk, and country artists of the 1940s and 1950s Learn More

There is a special magic found only in the Northwest, and this magic inspired a series of instruments unlike any other. It began with the Oregon Series, combining the power of Sitka spruce tops, myrtlewood backs and sides and hard rock maple necks. Then we became curious what a guitar would sound like if we used a myrtlewood top. WOW! Not only are the instruments stunning with myrtlewood’s fascinating color, texture and figure, the sound is balanced, rich and profound. The results are five of the best selling, best sounding guitars we handcraft in Bend, Oregon. Factory installed LR Baggs EAS VTC electronics and a Breedlove deluxe hardshell case are included Learn More

Handcrafted exclusively from solid tone-woods, sitka spruce and rosewood. The scalloped 1930s advanced X-bracing pattern provides a rich and deep tone. The J-29 belts out an incredibility wide dynamic range that is balanced across the tonal spectrum Learn More

Taylor’s sleek, easy-playing necks make for an incredibly smooth 12-string experience. The 556ce features mahogany back and sides with a top of Lutz spruce, a natural hybrid of Sitka and White spruce that resembles Adirondack spruce in its robust tonal output. The wood combo, together with the Grand Symphony body and Taylor’s internal Performance bracing, will yield a wonderfully balanced 12-string voice that blends tonal power, depth and articulation into a dynamic package that’s equally responsive to a light or lively strumming attack. A Venetian cutaway offers easy access to the guitar’s upper register octave shimmer, while Taylor’s proprietary Expression System® 2 electronics parlay all that musical detail into a well-defined amplified 12-string sound. Appointments include faux tortoise shell binding and pickguard, a rosette of faux tortoise shell framed by grained ivoroid, and a grained ivoroid Century fretboard inlay. Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

This is a vintage D12-35 manufactured in 1974 featuring three-piece Rosewood back and Rosewood sides, one-piece Mahogany neck, and Ebony fretboard and bridge. Learn More

The Martin D18-P Dreadnought features a sleek, modern High Performance Neck for enhanced playability. The D-18P adds a Sitka spruce top to the genuine Mahogany back and sides. The result is pure Martin tone. Learn More