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1996 Collings 0001 - The 12-fret 000 has the same general appearance as the Collings 00, but in a larger size with longer string scale. Although it's the same width and depth as the OM, the longer body typically produces more bass and overall volume. This makes the Collings 000 ideal for string-band purists or any guitarist who wants a maximum of power from an instrument of comfortable size with an elegant, old-time appearance. Learn More

This is a 2003 Ted Thompson T2 featuring Rosewood back and sides and Engelmann Spruce soundboard. Learn More

This is a 1997 Jeff Traugott Model R with Brazilian Rosewood back and sides and gorgeous Bearclaw German Spruce soundboard. The Model R is Jeff's most popular size, slightly larger than a Martin OM but with a narrow waist and round curves which make it a bit more comfortable to play. Learn More

The MINSTREL, like the Tupelo, gives a warm and woody Old-Timey sound. With a scrolled peg head and Mother-of-Pearl shell inlay in the Frailing scoop, this model is fashioned after the American Antebellum banjos. The 2-ply solid Maple rim is 9/16” thick and is capped with black Ebonite and bound with simulated Tortoise shell. A varnish finish is hand-rubbed generously and then sealed. The OME 12” maple Tone Rim construction combined with less brackets and wood rim-rod produce our “woodiest” Old-Time banjo tone. The MINSTREL is made with the same care and precision as other OME instruments and comes with a deluxe hard-shell case. Learn More

Yamaha FG150 Red Label Solid Top Learn More

Classic styling with a tight-waisted Auditorium body shape, the 000-28 has solid East Indian rosewood back and sides, a Sitka spruce top, polished gloss finish and a hand-fit dovetail neck joint. This model produces a rich and full-bodied tone, making it the ideal guitar for the intermediate and advanced player. Available with a sunburst or ambertone shaded top for an additional Learn More

This is a 2013 Pre VTS D-28 Authentic 1931 boasts period correct "28" Authentic style appointments, hide glue construction, and Authentic 1931 neck barrel, heel, diamond, head taper, and slots Learn More

Californian guitar maker Lester DeVoe is regarded as one of the best flamenco guitar luthiers in the world. In fact, his guitars have been praised and played by Paco de Lucia, Vicente Amigo, Sabicas and others. The guitars feature deep, clear sound, excellent response and low action. Learn More

There is a special magic found only in the Northwest, and this magic inspired a series of instruments unlike any other. It began with the Oregon Series, combining the power of Sitka spruce tops, myrtlewood backs and sides and hard rock maple necks. Then we became curious what a guitar would sound like if we used a myrtlewood top. WOW! Not only are the instruments stunning with myrtlewood’s fascinating color, texture and figure, the sound is balanced, rich and profound. The results are five of the best selling, best sounding guitars we handcraft in Bend, Oregon. Factory installed LR Baggs EAS VTC electronics and a Breedlove deluxe hardshell case are included Learn More

The Custom J-45 Maui Wowie Koa acoustic guitar is for the J-45 lover who also wants the beauty and sweetness of a solid koa guitar with other upgraded features. The J-45 has been a best seller since the 1940s and this custom Koa edition is sure to be a gem in the finest of guitar collections Learn More

Perhaps the most revered vintage D-28s are the ones created in 1937 with forward shifted hand-scalloped X-bracing, Adirondack red spruce soundboard and a 1 3/4" neck width. This addition to the Authentic series is a recreation of the original 1937 model offered with Madagascar rosewood back and sides. Martin’s new Vintage Tone System (VTS) is employed for the top and braces. The new Martin Vintage Tone System (VTS) uses a unique recipe that is based on the historic torrefaction system. The VTS acts much like a time machine in which Martin can target certain time periods and age the top/braces to that era. This focused method allows Martin’s craftsmen and women to recreate not only the pleasing visual aesthetics of a vintage guitar, but also reproduce the special tones previously reserved for vintage instruments Learn More