Search results for 'Martin Guitar Custom Signature Editions'

Note that this guitar is the actual one listed on the Eastman Guitars website! “Salt Air, Dry Brush, Ocean Waves, Misted Forests, Weathered Boulders. Our home, California, inspires the design that sculpts the shape and timber that make D’Ambrosio Series.” The Eastman D’Ambrosio Series, designed and built in California, pays homage to the enduring Golden State tradition of innovating right to the edge. With beautifully worn curves echoing the coveted coastline and a player-centric design, the D’Ambrosio Series may feel comforting and familiar. However, these are unique instruments where innovation blends with tradition. When something new also feels reassuringly familiar in an old-fashioned way, you know you’ve found a new home. D’Ambrosio guitars carry on the heritage of matching California design with down-to-earth playability. Introducing the 
FullerTone Neck
 MORE TONE, More Sustain, More Stability At the heart of D’Ambrosio Series design lies a beautiful innovation: the FullerTone neck. Envisioned and brought to life by master luthier and head of design, Otto D'Ambrosio, this completely new long-tenon, 2 bolt, neck to body connection redefines industry standard. The body-to-neck joint is the most important connection on a guitar. It acts as a bridge of energy; transferring resonance, sustain and tone while providing stability to the guitar. The FullerTone neck fulfills this ambition, securing unprecedented three-times greater neck-to-body contact for unhindered resonance transfer. The gracious body geometry cradles the neck in perfect harmonious position, secured by two machine-threaded screws locked into steel anchors embedded in the neck. The complete design is a fusion of old-world craftsmanship and modular versatility—the first bolt-on neck tuned to rival the sustain and stability of a set-neck guitar. With the Fullertone neck, Otto’s vision for a guitar with seamless tonal continuity, from headstock to bridge, is fully realized; maximizing its tonal potential. We call it T.S.S: More Tone. More Sustain. More Stability. Beautiful Tonewoods Tell Stunning Stories Swamp Ash and wildfire-burned Phoenix Pine serves as the heart of D’Ambrosio Series. Wildfire-burned Phoenix Pine is one of two tonewoods that serve as the heart of D’Ambrosio Series Roasted Phoenix Pine, salvaged sustainably in the process of regenerating the Oregon wilds, is given a second life, with a controlled heat treatment granting complexity - modern era clarity with smoky overtones. Learn More

T186MX-GB Gold Burst THINLINE Neck Material:Mahogany Fingerboard:Ebony Fingerboard Radius:12" Neck Profile:Traditional Even "C" Nut:Bone 1.72" 1st Fret String Height:.022" 12 Fret String Height:Bass .078" & Treble .062" Fretwire:22 Medium Jumbo Jescar 47104 Scale Length:25" Body Style:16" Thinline Body Dimensions:16" x 1 3/4" Body Top:Solid Maple Body Back/Sides:Solid Mahogany Truss Rod:Single Acting Binding:Body, Neck, Headstock Binding Material:Flamed Maple Logo:Pearl Headstock Inlay:Pearl Dots Finish:Gloss Finish Hardware Color:Nickel Tailpiece:Gotoh Bridge:Gotoh Tuneomatic Tuners:Gotoh SD90 Knobs:Amber Speed Knobs Neck Pickup:Bare Knuckle BC Old Guard Custom Humbucker Bridge Pickup:Bare Knuckle BC Old Guard Custom Humbucker Pickup Height:3/32" bass side, 3/32" treble side Pickup Frame:Black Plastic/Creme Plastic Switch:3 Way Switch Capacitors:0.047μF Potentiometers:500K AudioTaper Output Jack:Switchcraft Strings:D’Addario NYXL .010 - .046 Case:Hardshell Case Learn More

New for fall 2022, Juliet is an evolution of Romeo’s ergonomic carves and graceful curves, sculpted for maximum comfort and playability. Striking features include an offset body with raised center bar and laid-in pickguard, making Juliet stand out in any player’s rig, on any player’s stage. Today’s Look, Tomorrow’s Feel Juliet features a lightweight Okume body and neck, with the waist and lower arm contours providing maximum playing comfort while sitting or standing. Each model comes with its own custom designed and uniquely flat inlaid pickguard contributing to an original look while providing both protection and character. The raised center bar adds soul and sustain to a brand new voice. A Solid Rock ‘n Roll Machine Whether you’re using the Schaller three-way Megaswitch to toggle between the Bare Knuckle Old Guard partially wax potted Humbuckers or the Old Guard low wound P90’s, there is no denying that Juliet is a rock n’ roll machine. A three-knob configuration provides two volumes and one tone for the bridge pickup, just like Juliet’s companion Romeo LA. The Antique Black Varnish model comes with a USA Bigsby B5 for players looking for a little extra bend. Not a Stock Headstock Juliet is the first Eastman to feature an in-line-six design, complete with Gotoh tuners. The headstock’s color matched stepdown is an Otto D’ Ambrosio signature, perfectly complementing and highlighting the meticulous attention to detail seen in its design and build. Learn More

Make a musical statement that can’t be ignored with the bold and booming nature of a jumbo guitar. Up to 17 inches at the lower bout, these guitars speak loudly and resonate deeply. Maple is an ideal choice for the back and sides, as it helps bring the loudest voice in the room into beautiful focus, both sonically and visually. Learn More

You never have to worry about comfortably reaching the higher frets when you’re using one of our AC models. Nearly all of our AC guitars come with an LR Baggs Element or Fishman pickup. Neck Material:Mahogany Fingerboard:Ebony Fingerboard Radius:12" Neck Profile:Traditional Even "C" Nut:Bone 1.75" Fretwire:20 Jescar-FW43080 Scale Length:25.4" Body Dimensions:16" x 4 1/4" Bracings:Hand Scalloped X Body Top:Solid Sitka Spruce Body Back/Sides:Solid Koa Bridge/Saddle:Ebony/Bone, 2 5/32" Spacing Rosette:Classic Truss Rod:Dual Acting Binding:Top, Back, and Fingerboard Binding Material:Ivoroid Logo:Pearl Headstock Inlay:Pearl Dots & Fortissimo at 7th and 12th Frets Side Dots:Black Bridge Pins:Black Plastic Body Top Finish:Truetone Gloss Back/Sides Finish:Truetone Gloss Hardware Color:Nickel Pickguard:Tortoise  Tuners:PingWell RM 1171-CVR 3+3 Electronics:LR Baggs Element EAS VTC Strings:D'Addario XS Coated Phosphor Bronze Light (.012 - .053) Action Height:12th fret 3/32" on the bass side and 2/32" on the treble side Case:Hardshell Case Truss Rod Wrench:4mm Learn More

Eastman's first solid body guitar… with Eastman’s signature written all over it. Neck Material:One Piece Mahogany Fingerboard:Ebony Fingerboard Radius:12" Nut:Bone 1 11/16" 1st Fret String Height:.022" 12th Fret String Height:Bass .078" & Treble .062" Fretwire:Jescar FW47104 Scale Length:24 3/4" Body Dimensions:13" x 1 7/8" Body Top:Solid Flame Maple Body Back/Sides:1 Piece Mahogany Truss Rod:Single Acting Binding:Body and Neck Binding Material:Ivoroid Logo:Pearl Headstock Inlay:Pearl Crowns Backplates:Black Plastic Top Coat Finish:Gloss Finish Hardware Color:Nickel Tailpiece:Gotoh GE101A-NI Bridge:Gotoh GE-104B-NI Tuners:Gotoh SD90 Knobs:Gold Speed Knobs Strap Peg:Gotoh EP-A1 Neck Pickup:Seymour Duncan '59 Bridge Pickup:Seymour Duncan '59 Pickup Height:3/32" Pickup Frame:Cream  3 Way Switch:Switchcraft  Switch Tip:Switchcraft Ivory Capacitors:Sprague Orange Drop Potentiometers:CTS 500K Audio Taper Output Jack:Switchcraft  Strings:D'addario NYXL .010 - .046 Action Height:3/32" and 2/32" Case:Hardshell Case Learn More

You never have to worry about comfortably reaching the higher frets when you’re using one of our AC models. Nearly all of our AC guitars come with an LR Baggs Element or Fishman pickup. Learn More

All Eastman Guitars and Mandolins are built in their workshops in Beijing by their expert team of luthiers and crafts people. Eastman MDO305E-SB Sunburst Octave Mandolin Full Specs: Neck Material: Maple Fingerboard: Ebony Fingerboard Radius: 12" Nut: 1 3/8" Fretwire: 23 Jescar FW37053 Scale Length: 21" Body Style: A-style w/ S-Holes Body Dimensions: 12" x 15 5/8" x 1 27/32" Body Top: Solid Spruce Body Back/Sides: Solid Maple Truss Rod: Single Acting Binding: Top Binding Material: Ivoroid Logo: Maple Headstock Inlay: Pearl Dots Side Dot Color: Black Finish: Satin Finish Hardware Color: Nickel Tailpiece: Stamped Chrome Brass Bridge: Ebony Nut Height: 0.018" Tuners: Quality Geared Tuners Strap Peg: Ebony Strings: D'Addario J80 Action Height: 5/64" Bass - 3/64" treble  Case: Padded Eastman Gig Bag Learn More

You never have to worry about comfortably reaching the higher frets when you’re using one of our AC models. Nearly all of our AC guitars come with an LR Baggs Element or Fishman pickup. Guitar Specs: Neck Material: Maple Fingerboard: Rosewood Fingerboard Radius: 12"
Neck Profile: Traditional Even "C" Nut: Bone 1 3/4" Fretwire: 22 Jescar-FW43080 Scale Length: 25.4" Body Dimensions:16" x 4 1/4" Bracings:X-Braced Body Top:Solid Sitka Spruce Body Back/Sides:Laminated Sapele Bridge/Saddle:Rosewood/Bone, 2 5/32" Spacing Rosette:Abalone Truss Rod:Dual Acting Binding:Top and Back Binding Material:Black Plastic Logo:Maple Headstock Inlay:Pearl Dots Bridge Pins:White Plastic w/black dots Body Top Finish:Gloss Nitrocellulose Neck/Headstock Finish:Open Pore Hardware Color:Nickel Pickguard:Optional Plack Teardrop Tuners:Ping RM 1171 Electronics:Eastman Pickup by Fishman Strings:D'Addario .012-.053 #EXP16  Action Height:12th fret 3/32" on the bass side and 2/32" on the treble side Case:None Truss Rod Wrench:4mm Learn More

“Salt Air, Dry Brush, Ocean Waves, Misted Forests, Weathered Boulders. Our home, California, inspires the design that sculpts the shape and timber that make D’Ambrosio Series.” The Eastman D’Ambrosio Series, designed and built in California, pays homage to the enduring Golden State tradition of innovating right to the edge. With beautifully worn curves echoing the coveted coastline and a player-centric design, the D’Ambrosio Series may feel comforting and familiar. However, these are unique instruments where innovation blends with tradition. When something new also feels reassuringly familiar in an old-fashioned way, you know you’ve found a new home. D’Ambrosio guitars carry on the heritage of matching California design with down-to-earth playability. Introducing the 
FullerTone Neck
 MORE TONE, More Sustain, More Stability At the heart of D’Ambrosio Series design lies a beautiful innovation: the FullerTone neck. Envisioned and brought to life by master luthier and head of design, Otto D'Ambrosio, this completely new long-tenon, 2 bolt, neck to body connection redefines industry standard. The body-to-neck joint is the most important connection on a guitar. It acts as a bridge of energy; transferring resonance, sustain and tone while providing stability to the guitar. The FullerTone neck fulfills this ambition, securing unprecedented three-times greater neck-to-body contact for unhindered resonance transfer. The gracious body geometry cradles the neck in perfect harmonious position, secured by two machine-threaded screws locked into steel anchors embedded in the neck. The complete design is a fusion of old-world craftsmanship and modular versatility—the first bolt-on neck tuned to rival the sustain and stability of a set-neck guitar. With the Fullertone neck, Otto’s vision for a guitar with seamless tonal continuity, from headstock to bridge, is fully realized; maximizing its tonal potential. We call it T.S.S: More Tone. More Sustain. More Stability. Beautiful Tonewoods Tell Stunning Stories Swamp Ash and wildfire-burned Phoenix Pine serves as the heart of D’Ambrosio Series. Wildfire-burned Phoenix Pine is one of two tonewoods that serve as the heart of D’Ambrosio Series Roasted Phoenix Pine, salvaged sustainably in the process of regenerating the Oregon wilds, is given a second life, with a controlled heat treatment granting complexity - modern era clarity with smoky overtones. Learn More

Antique Varnish Series guitars are built on a mix of time-honored craft and ahead-of-the-curve thinking utilizing classic technique with a decidedly fresh approach. It is designed to make such a rare and labor-intensive feature more available to guitar enthusiasts, with the proof in the distinctive look and sound. The process itself, features six distinct steps starting with a basecoat application to fill the grain, then moving to color application, and concluding with a French polish. Ultimately, three or four coats of material are applied and sanded thin. The result is softer than lacquer, creating a smoother tone. Learn More