Search results for 'Left handed acoustic guitar'

The Blackbird Super Orchestra Model has a cannon voice with dreadnought volume and fullness but is compact and 3D sculpted with body cuts for enhanced comfort and playability. The tone goes above and beyond convention with uncommon sustain, perfect clarity and string balance the length of the fretboard. Learn More

The latest addition to the C.A. family sports a 20 fret OX cut-away body style acoustic guitar, giving you a look and sound you won't believe at a surprisingly affordable price. The OX is available in the new "Raw" finish over our classic carbon top, or a beautiful high-gloss with charcoal black and sides and a clear coated pure carbon finish top. It's got a cool, edgy look and feel of brushed stainless steel with the same warm, rich tone you've come to expect from Composite Acoustics. The OX has more low end and power than our thin body X and more focus and definition than our bigger bodied GX. It's a dream to play with a unique neck shape and soft contours; the sound and feel of this instrument make it really hard to put down Learn More

This Custom Shop OM-28 was spec'd at Winter NAMM 2014 and it features hand selected Madagascar, with Premium Adirondack top, and full hide glue constriction Learn More

This is a custom Go Guitars Go Parlor II built by master Luthier Sam Radding. Sam is known for giving Bob Taylor his start in the guitar business back in the 70's, and more recently for his outstanding Go Travel guitars, like this one. Learn More

The Taylor Presentation Series guitars occupy a class all their own. Featuring the finest sets of Cocobolo, premium Sitka spruce tops, and contoured ebony armrest blends beauty and playing comfort. This is a 2013 Model in MINT condition!

Learn More

Martin HD12-40 Tom Petty Signature model 12-String. Learn More

This is a 2003 Ted Thompson T2 featuring Rosewood back and sides and Engelmann Spruce soundboard. Learn More

The Taylor 516CE-FLTD 2014 Fall Limited features Tasmanian Blackwood back and sides,Sitka spruce top, shaded edgeburst body and neck, Standard 500 Series appointments with Ivoroid Century fretboard inlay, Ivoroid binding and rosette, Taylor nickel tuners, all-gloss body, faux tortoise pickguard, and Expression System 2 electronics. Learn More

This handsome limited edition Grand Auditorium showcases a back and sides of blackheart sassafras, whose dramatic color variegation makes each set of wood truly one-of-a-kind. The tone profile of sassafras blends the clarity and woodiness of mahogany with extra midrange and top-end overtones, while the Sitka spruce soundboard yields extra sonic headroom and fullness thanks to Adirondack spruce bracing. Together with our versatile Grand Auditorium body, this beauty will handle a diverse range of playing styles. Unique details include a sharp Florentine cutaway and premium appointments: rosewood Capstone fretboard inlays outlined in mother-of-pearl, a rosewood/mother-of-pearl rosette, rosewood binding with curly maple top edge trim, a rosewood back strip, and Gotoh Gold tuners, with Taylor’s award-winning Expression System® 2 electronics for rich amplified tone. The model features a limited edition guitar label and ships in a Taylor deluxe hardshell case Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

The Breedlove CM features an asymmetrical Concert body with a sharp cutaway that allows for incredible access to the upper frets and really embodies the modern look of this instrument. This one was custom built for us using hand selected Sinker Redwood and Master Grade Cocobolo, one of our favorite wood combos Learn More