Search results for 'Es 335'

This gorgeous BTO was created using a one off set of Asian Ebony that was as resonant as it was uniquely good looking so we decided to top it off with an equally amazing Adirondack top, and found some figured striped Ebony for the bridge and fretboard to create this killer 12-Fret Grand Auditorium that will be as comfortable on the sofa as it will on stage Learn More

This full custom Taylor features Grand Auditorium (GA) body with handpicked Lurelwood back, sides and Western Red Cedar top. Laurelwood possesses a tremendous tap tone and produces top of the line guitars, with rich overtones, brilliant trebles, and a clean, puchy bass response. Combindes with the select Cedar top, these wood sets bring out the full potential of the Taylor GA body. We predict that this is a guitar that will be a lot by it's new owner Learn More

This is a preowned 2014 McInturff Taurus Sportster, hand built by Terry in his workshop. In mint condition, with original hardshell case. • Select Mahogany Body, Top & Neck, • Indian Rosewood fretboard • 25.25” scale, 1-11/16" Nut, 22 frets, 12” fretboard radius • Nitrocellulose lacquer finish • Set neck construction • Custom spec VooDoo humbuckers • CTS potentiometers • Dual volume, 5-way pickup selector, master tone controls • Dunlop Dual-Design strap buttons are Straploc compatable • Gotoh 1055 vibrato bridge • Sperzel locking tuners Learn More

The Gibson J-45 acoustic guitar is the prince of a range of Gibson flattops now referred to as "Round-Shoulder Dreadnoughts." This elegant workhorse debuted in 1942, and became an instant favorite for its rich, warm, vocal tone and excellent projection. Today, this Gibson acoustic guitar is played by the likes of Bob Dylan, Ralph McTell, Billy Jo Armstrong, and Lucinda Williams. Carrying accurate touches such as a Slim-Taper neck profile, teardrop tortoise pickguard, 4-ply top binding, and banner headstock inlay (declaring "Only A Gibson Is Good Enough"), the Gibson J-45 True Vintage is an accurate representation of the acoustic guitar that became the standard of hard-gigging bluegrass, folk, and country artists of the 1940s and 1950s Learn More

The Elvis Costello Century of Progress Signature acoustic guitar is fashioned after Costello's beloved 1936 model. It is a painstaking recreation of his favorite acoustic, used to record and perform many of the songs that made him the iconic musician that he is. Culling information from photos of Costello's treasured guitar and the original blueprints from the 1930s, Gibson Acoustics' team of master luthiers were able to successfully reproduce every attribute of Costello's prized acoustic guitar with flawless accuracy and immaculate attention to detail. No feature was overlooked in the creation of the Elvis Costello Century of Progress acoustic guitar. From the figured eastern hard rock maple used for the back and sides to the Adirondack spruce used for the top and bracing, including vintage-style glue used to put it all together, the acoustic also offers a distinct peghead veneer and period-correct custom pearloid fingerboard, adorned by diamond inlays within Madagascar rosewood rectangle fingerboard markers. The neck is crafted from one solid piece of Honduran mahogany, and hand-sanded to form a pronounced "V" profile. The Elvis Costello Century of Progress from Gibson Acoustic will be released in a very limited run of only 300 instruments, numbered from 001 to 300 with an exclusive black hardshell guitar case adorned with a special Elvis Costello/Gibson stamped commemorative plaque and certificate of authenticity. Each Gibson signature guitar's label will also be personally autographed by Costello. Learn More

Within Taylors guitar line, the Presentation Series stands out as the paragon of Taylor luthiery. This limited edition 12-fret Grand Auditorium showcases those same top-tier aesthetic virtues with the breathtaking pairing of striped West African ebony, sourced from Taylor’s Crelicam ebony mill in Cameroon, with richly variegated sinker redwood. The tight-grained redwood tops were sliced from old-growth logs reclaimed from the bottom of a California river, whose mineral-rich river bed infused the wood with an array of color hues. Sonically, redwood blends the warm overtone complexity of cedar with the attacking power of spruce, while ebony yields some of rosewood’s bell-like fidelity but with the more linear output of maple. The magic here is in the fusion of these tonal nuances with a 12-fret Grand Auditorium body. Players can expect a warm, balanced response that packs an extra punch with the help of the redwood top and the 12-fret’s shifted bridge location. The guitar is detailed with our finest Presentation Series appointments, including ebony binding with a beveled ebony armrest, elaborate Nouveau paua inlays and edge trim, and gold Gotoh tuners with a 21:1 tuning ratio for maximum precision. The guitar comes equipped with Expression System 2 electronics and ships in a deluxe hardshell case. Learn More

The Gibson Custom Shop has re-created the guitar that Peter Frampton played on his multiplatinum live album from 1976. Distinctive features include a mahogany back with weight-relief chambers, the Peter Frampton custom slim neck profile, and three Gibson humbuckers: '57 Classic (neck), '57 Classic Plus (middle), and 500T (bridge). The 3-way pickup selector is wired so the middle pickup is always on (with its own volume and tone) and can be combined with the front or rear pickups. Top-level Les Paul Custom features include the ebony finish, 22-fret Richlite fingerboard with pearl block inlays, single-ply white binding on top and back, kidney bean tuners,and gold hardware. Includes case. Learn More

This is a 1997 Jeff Traugott Model R with Brazilian Rosewood back and sides and gorgeous Bearclaw German Spruce soundboard. The Model R is Jeff's most popular size, slightly larger than a Martin OM but with a narrow waist and round curves which make it a bit more comfortable to play. Learn More

This Grand Concert BTO features AA Rosewood body with Cocobolo trim, Abalone Paua inlay and latest ES electronics. The nut is a 1-7/8" and the neck shape is V-carve Learn More

This Custom12-Fret Nylon String features handpicked Macassar Ebony back & sides, Premium Engelmann top, Ebony binding with Armrest, and ESN Electronics Learn More

This full custom Taylor features Grand Auditorium (GA) body with hand picked AA Quilt Maple back, sides, select Western Red Cedar top, Flamed Koa binding and backstrip, and ES2 electronics. Learn More

Juan Hernandez Profesor - Juan Hernandez Iranzo was born in Spain in the late 1940's, he began building guitars in the Francisco Esteve workshop at age 15, whhere he became an "oficial guitarmaker" and later the production manager of the Esteve workshop. Today he is offering a limited number of fine guitars under his own label featuring the highest quality materials, and workmanship. Learn More