Search results for 'The Taylor Pallet Guitar'

Taylor Guitars Custom Grand Symphony (GS) with off menu Mun Ebony back and sides, Engelmann Spruce top and ES2 Electronics Learn More

Taylor Guitars Custom Grand Symphony (GS) Macassar Ebony back and sides, Sinker Redwood top and ES2 Electronics Learn More

Our Martin Custom Shop CS-00-28 Rosewood Spruce based on the Vintage Series 00-28 with natural high grade Spruce top, 45-series rosette, Herringbone trim, Tortoise binding, and more user frindly 1-3/4" nut. Learn More

Another Custom Martin based on your suggestions, here we have an all mahogany Size 0 15 Series with 1-3/4" nut and 2-1/4" bridge spacing, fully bound body, and full gloss finish. Learn More

Bourgeois Aged Tone Piccolo Parlor - Cocobolo Learn More

Perhaps the most revered vintage D-28s are the ones created in 1937 with forward shifted hand-scalloped X-bracing, Adirondack red spruce soundboard and a 1 3/4" neck width. This addition to the Authentic series is a recreation of the original 1937 model offered with Madagascar rosewood back and sides. Martin’s new Vintage Tone System (VTS) is employed for the top and braces. The new Martin Vintage Tone System (VTS) uses a unique recipe that is based on the historic torrefaction system. The VTS acts much like a time machine in which Martin can target certain time periods and age the top/braces to that era. This focused method allows Martin’s craftsmen and women to recreate not only the pleasing visual aesthetics of a vintage guitar, but also reproduce the special tones previously reserved for vintage instruments Learn More

This is a 2017 Rockbridge 000 Deluxe featuring Abalone inlays, Koa binding, Red Spruce (Adirondack) top and Brazilian Rosewood back and sides. Full specs are as follows: Top: Red Spruce (Adirondack) Back & sides: Brazilian Rosewood Binding: Koa Nut width: 1 3/4" Scale length: 25" String spacing at saddle: 2 1/4" Pickup: Fishman Matrix Infinity Case: Cedar Creek hard shell case This guitar is in excellent condition with no structural issues to mention but it does have some pick scratches on the soundboard above and below the strings. Learn More

Taylor Custom AA Rosewood / Adirondack / Cocobolo Grand Concert W/ Armrest Learn More

This gorgeous BTO was created using a one off set of Asian Ebony that was as resonant as it was uniquely good looking so we decided to top it off with an equally amazing Adirondack top, and found some figured striped Ebony for the bridge and fretboard to create this killer 12-Fret Grand Auditorium that will be as comfortable on the sofa as it will on stage Learn More

Froggy Bottom Model M was Born of requests for a grand concert version of the popular full-sized K guitar, Froggy Bottom M guitars sing with a balanced voice that has repeatedly been characterized as having great clarity and sparkle. Even when played with great delicacy, the Froggy M speaks clearly and beautifully. Its tight waist and full, rounded lower bout make it a pleasure to have in your lap Learn More

This is #22 of 50. This NAMM Show Special is inspired by an instrument of George Bauer, who was a Philadelphia luthier around 1890-1910. The SS-0041GB-17 is limited to 50 instruments and is crafted from a European spruce top with Vintage Tone System and Guatemalan rosewood back and sides. This 12-fret Grand Concert model features a dovetail neck joint with hide glue construction, grained ivoroid binding and heelcap, an ebony bridge and ebony fingerboard that is bound with grained ivoroid and inlaid with an abalone and mother-of-pearl custom snowflake and block design. This guitar will be treasured for years to come for its beautiful dynamic tones, as well as its aesthetic appearance Learn More

Carrying a distinct vintage-inspired design and updated like the D-18 a few years ago, the redesigned 000-18 offers many of the features found in Martins pre-war era guitars. The body is edged with tortoise binding and complemented with a polished finish. The 24.9” short scale model’s neck features a modified low oval profile with Performing Artist taper, with a width of 1-3/4” at the nut and 2-3/16” string spacing for easy playability. Nickel open-geared tuners with butterbean knobs are found with a rosewood headplate, which displays a large old style Martin logo. We've modified this model with select Rosewood back and sides to provide added warmth, cleaner highs, and slightly scooped out mid range. Learn More