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Designed with one of contemporary Christian music's most prolific and celebrated artists, the Steven Curtis Chapman Signature Model (SCCSM) is based on the Grand Auditorium 714 that has long been Chapman's favorite acoustic guitar for recording and performance. The guitar features Indian rosewood back and sides, a tobacco sunburst cedar top, and Indian rosewood binding. The fretboard and headstock inlay designs honor Chapman's daughter Maria, who passed away in 2008 at the age of 5. Both inlays are recreations of Maria�s drawings. The headstock inlay is a flower with a single petal colored in blue, while the fretboard design features a mother-of-pearl butterfly in at the 12th fret, accompanied by the word "SEE" in Maria's handwriting. Pearl fret marker dots are aligned along the bass side. Other features include an abalone rosette, abalone-dotted bridge pins, and Taylor Expression System electronics. Each SCCSM comes with a custom guitar label and a certificate of authenticity personally signed by Chapman. Learn More

This is the 2011 Taylor Mahogany GA-LTD Grand Auditorium with mahogany back/sides and top, traditional mahogany stain, tortoise shell binding, diamond fretboard inlays, abalone rosette, ES electronics Learn More

This limited edition Grand Symphony pairs the honey-brown hues and rich figure of AA-grade koa with a cedar top. Limited to 50 guitars Learn More

Within Taylors guitar line, the Presentation Series stands out as the paragon of Taylor luthiery. This limited edition 12-fret Grand Auditorium showcases those same top-tier aesthetic virtues with the breathtaking pairing of striped West African ebony, sourced from Taylor’s Crelicam ebony mill in Cameroon, with richly variegated sinker redwood. The tight-grained redwood tops were sliced from old-growth logs reclaimed from the bottom of a California river, whose mineral-rich river bed infused the wood with an array of color hues. Sonically, redwood blends the warm overtone complexity of cedar with the attacking power of spruce, while ebony yields some of rosewood’s bell-like fidelity but with the more linear output of maple. The magic here is in the fusion of these tonal nuances with a 12-fret Grand Auditorium body. Players can expect a warm, balanced response that packs an extra punch with the help of the redwood top and the 12-fret’s shifted bridge location. The guitar is detailed with our finest Presentation Series appointments, including ebony binding with a beveled ebony armrest, elaborate Nouveau paua inlays and edge trim, and gold Gotoh tuners with a 21:1 tuning ratio for maximum precision. The guitar comes equipped with Expression System 2 electronics and ships in a deluxe hardshell case. Learn More

One of only a handful ever made, the Pallet guitar by Bob Taylor was originally conceived to prove to the world that a great guitar builder can build an outstanding instrument regardless of the wood used. To prove this, Bob Taylor went to the back of the Taylor factory and proceeded to tear apart a few of the shipping pallets on the ground, and built himself a guitar using the weathered oak, and pine (or whatever the soft wood is on pallets) that these things are made of. Learn More

Taylor Guitars made a limited edition of its popular acoustic GS Mini series with tops of Engelmann spruce harvested at Holden Village, and layered Maple for back and sides. Proceeds from guitar sales went to clean water projects in third-world countries under the direction of two nonprofit organizations. Learn More

This is Taylors 2010 Spring Limited 12-fret Koa Grand Concert with Hawaiian koa top, back and sides, ebony binding, slotted peghead and Expression System pickup Learn More

Taylors special celebration of amplified acoustic tone continues this quarter with the Builder's Reserve V Series, unveiling the latest in boutique-level Taylor craftsmanship with an ultra-limited guitar/amp pairing. Learn More

With the seventh offering from our Builder's Reserve program, we fully indulge mahogany's appealing musical character with an all-mahogany 12-Fret coupled with Taylor's first-ever all-mahogany ukulele. Incorporating mahogany tops brings out the fullness of mahogany's voice, blending a punchy attack with plenty of tonal warmth. Learn More

Vibrantly hued cocobolo makes an exotic guest appearance on this 900 Series limited edition Grand Auditorium. Instead of the Advanced Performance bracing scheme typically used with our rosewood 900 Series, we opted for Performance bracing to better complement cocobolo’s musical properties. The voicing architecture brings out extra warmth and tempers the wood’s ringing top end tendencies to create a balanced voice with an articulate response. Aesthetically, we’ve embellished the detail-rich 900 Series appointment package with an amber-brown shaded edgeburst finish treatment around the body and neck. The color gradation adds subtle depth to the cocobolo’s glowing hues and creates a visual harmony between the darker sides and the lighter Sitka spruce top. It also intensifies the rich sparkle of the abalone edge trim. Visually and tonally, this guitar exudes refined beauty Learn More

This is a prototype Brazilian version of the all new completely reworked 814ce featuring lighter bracing and top wood thicknesses as well as a thinner finish which all ad to more of everything you love about these guitars. Learn More

This is a 2016 812ce 12-Fret Deluxe models featuring all the voicing enhancements and aesthetic refinements of Taylor’s standard rosewood/spruce 800 Series, with three upgraded features: a newly designed radius-style armrest in maple with rosewood top edge trim, and Adirondack spruce bracing. Learn More