Search results for 'thundercheif bass'

The Laney LA30D is a compact acoustic combo amplifier that is packed for performance and designed specifically for acoustic instruments such as acoustic-electric guitars. LA30D’s two independent input channels both offer the choice of balanced XLR or unbalanced 1/4” inputs and both can have digital reverb assigned to them as required. This flexibility allows for connection of a mic and instrument, two different acoustic instruments, or even a blend of separate mic and pickup connections from the same instrument. The main instrument channel features a 3-band EQ for customizable tone sculpting plus a Shape switch – this provides a great sounding “go to” setting from a single button press. A pre-selected chorus setting can also be added with a simple switch. This snappy, stylish, and lightweight amp is a hard worker that fits wonderfully in a variety of places, including performance venues, the practice room, home recording space, or teacher’s studio. There is also a 3.5mm AUX input that allows for connection of a playback device such as an MP3 player/CD player/phone/tablet for jamming along to songs or backing tracks. The Laney LA30D also includes a 3.5mm headphone port – a great feature for private practice or silent late-night jam sessions. Switchable Phase and Anti-feedback switches, plus a 1/4" DI output round out the connection options on this versatile acoustic amp. The LA30D is sure to deliver full, natural acoustic sound-reproduction with plenty of high-end sparkle. Laney Learn More

2017 Santa Cruz H13. What’s up with thirteen frets? The historical precedent for this classic shape was the Gibson ‘Nick Lucas Special’ from the 1920’s and ’30’s, the one Bob Dylan holds in early photos. The “H” designation is an acknowledgment to the guardian of the lore of all things vintage and stringed, Maestro Paul Hostetter, who commissioned SCGC to build the prototype in 1978. In spite of the question of whether the historic 13 frets to the body had any basis in acoustic science, our reason for using it does. SCGC’s concept for the H-13 is to achieve power beyond what would be expected in a small-bodied guitar. Two fundamental lutherie tricks make this possible: a longer string length (more downward pressure at the saddle) and more air space via a deeper body (increased volume and bass response). To place the bridge in the optimal position for power and maintain the longer string length, the neck needs to join the body at the 13th fret. Cool, huh? This is a gorgeous classic with power and presence expected from a much larger instrument. Perfect for aggressive fingerstyle blues and vocal accompaniment, the H-13 feels really sweet to hold. Learn More

Designed in conjunction with finger style legend Ed Gerhard, this guitar is constructed with rosewood back and sides and a Sitka Spruce top. The jumbo-size body features a proportionally large lower bout, a narrow waist, and a relatively shallow depth of 3 inches at the neck and 4 1/16" at the heal. Like most Breedlove's, the Gerhard comes equipped with the JLD Bridge System which is mounted under the ebony bridge Learn More

This is an Emerald X5 Woody carbon fiber travel guitar with B Band electronics and original Emerald gig bag Learn More

Built for comfort and speed! Based on the 1962 model 6120, the Chet Atkins Nashville hollowbody double-cutaway electric guitar features two high sensitive Filter'Tron pickups, Gretsch rocking bar bridge, Bigsby B6C vibrato tailpiece, and flip-up muffler system. Complete with simulated f-holes and snap-on back pad. Finished in high-gloss stain. Learn More

The Taylor GC8 grand concert guitar has volume that belies its size. The slotted peghead and short-scale neck deliver a more "woody" tone and an unbelievably easy feel on the fretboard. The clarity, balance, sustain, excellent bass response, and wonderful coloration of the India Rosewood back and sides of the GC8 is without equal. When paired with solid Sitka spruce top, it is an unstoppable tonal combination. Other features of the GC8 acoustic include an Ivoroid bound neck and body, Indian rosewood headstock overlay, abalone rosette and fretboard dots, and a traditional slotted peghead. Learn More

With brilliant acoustics and a vast array of tones, the Hollowbody II has been a constant favorite in our dynamic lineup of semi-hollow instruments. The combination of the maple top and back with mahogany sides provides tonal clarity and extraordinary resonance Learn More

With softer contours and a longer body dimension than the 0 14-Fret model, the 0 12-Fret has a balanced and full tone with slightly more bass and overall volume. First introduced in 1854, the articulate tone and convenient size of the "0" 12-Fret body dimensions have remained popular to this day. Featuring a comfortable short 24 7/8" scale and a wide 2 5/16" string spacing at the bridge, this model is well suited to both finger style and strumming techniques and excels as a recording instrument. Convenient as a travel guitar but with the authoritative tone of a performance instrument, this model is versatile choice for any guitarist. Learn More

The Custom 7 1x10" Combo Amplifier was designed specifically for the home and studio environments. A design of Hiwatt's Class A Custom shop, a 7 watt combo featuring the legendary English hand-wired construction of Hiwatt's Classic Series. The guitar amp provides the famous Hiwatt sound in a scaled down format. It uses a Single-ended output stage with two ECC-83's and one EL-84 together, giving this amp some serious tone and sustain at decent volumes! Featuring Master Volume control, individual Gain, Bass, Mid and Treble controls, High and Low inputs. Boasting the classic design that brought Hiwatt to the forefront of amplification, the Classic Series feature the point-to-point, military specific design based on Dave Reeves' original amplifiers. Hiwatt Custom amplifiers use only the best quality components, including hand-wound Partridge transformers and marine birch hand-built cabinets. Learn More

This is a 2006 Bresnan Guitars GS Grand Symphony model featuring premium Brazilian back and sides with gorgeous Adirondack Spruce soundboard. The Bresnan GS has a slightly larger body than the OM with a wider lower bout and deeper body profile providing a slightly more pronounced bass response with no loss in response Learn More

The OOO is the full sized version of the 1929 Model series. A longer, 25.375 inch scale for additional volume and bass make it a worthy ensemble instrument. You will find the same simple and elegant aesthetics of the 1929-O and 1929-OO versions. The master grade True Mahogany top is correctly dimensioned and hand voiced for a full and complex presence, and the elements for an heirloom guitar are all in place. The 1929-OOO's look includes a period correct script logo done tastefully in Ivoroid. Classic Ebony complements the pyramid bridge, tuner buttons, head-plate and fretboard. An appropriately simple rosette is inlaid with a rich faux tortoise shell celluloid ring in a vintage Ivoroid border. The 1929-OOO Model has all the exceptional presence and playability that you would expect from the Santa Cruz stable of state of the art acoustic guitars Learn More